Fuzzy Meadows: The Week's Best New Music (May 1st - May 7th)
Fuzzy Meadows: The Week's Best New Music (April 3rd - April 9th)
Fuzzy Meadows: The Week's Best New Music (January 30th - February 5th)
Fuzzy Meadows: The Week's Best New Music (January 16th - January 22nd)
Further Listening: A Compendium | Year-End 2022 Feature
As anyone who reads our “Fuzzy Meadows” column already knows, the “list” is just the beginning, and we’re always eager to add some “Further Listening” for consideration. Despite what some would have you believe, music is not a contest. We profiled many records in our “Year In Review” feature, but the fun doesn’t stop there.
Post-Trash's Mid-Year Report: Our Favorites Releases of 2022 (January thru June)
We present our “Mid-Year Report," a comprehensive guide to our favorite releases of the first half of this year, without any pre-determined length or insignificant rankings. If we’re into it, we're including it (unless we plumb forgot it or just haven’t spent enough time with it… which happens, in which case our sincerest of apologies).
Fuzzy Meadows: The Week's Best New Music (May 9th - May 22nd)
Post-Trash's Best of 2021 | The Year In Review
Sweet Williams' Thomas House Discusses "What's Wrong With You," Spain vs Brighton DIY, and Three Reluctant Dudes | Feature Interview
Sweet Williams is the brainchild of Brighton’s Thomas House, a veteran of the DIY music scene and a musician whose drive to create is seemingly limitless. Post-Trash’s Dominic Acito connected with House via Zoom to discuss his writing process, the DIY scene in Spain, and his first experiences learning an instrument.
Post-Trash's Best of 2021 | The Mid-Year Report
The time to catch up on the unabridged Post-Trash “Mid-Year Report” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past six months. This is our semi-comprehensive guide to our favorite releases of the year so far without a pre-determined length.
Sweet Williams - "What's Wrong With You" | Album Review
Sweet Williams occupies a unique space, taking influence from sludge, noise rock and following in the tradition of bands like Unwound and Lungfish. They have found a sweet spot. Though it’s tempting at times to compare them to one band or another, it’s clear that What’s Wrong With You defies any attempts at labelling this band.
Fuzzy Meadows: The Week's Best New Music (June 7th - June 20th)
Fuzzy Meadows: The Week's Best New Music (April 26th - May 9th)
Sweet Williams - "Dead Singer" Video | Post-Trash Premiere
The syrupy sludge of Sweet Williams is instantly identifiable and yet nearly undefinable. It’s slow, tense, heavy, and often abrasive, creating something with the dexterity of post-hardcore, the patient beauty of slowcore, and the raw tonality of noise rock, and yet all those genre tags feel somewhat off.
Fuzzy Meadows: The Week's Best New Music (March 1st - March 14th)
Fuzzy Meadows: The Week's Best New Music (July 6th - July 12th)
Post-Trash's Best of 2019 | The Year In Review
The time to catch up on the unabridged Post-Trash “Year In Review” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past twelve months, even a few “buzz” bands and beyond. This is our comprehensive guide to our favorite releases of the year without a pre-determined length.
Sweet Williams - "Where Does The Time Come From" | Album Review
On Where Does the Time Come From, the third full length from Sweet Williams, Thomas House primarily forgoes his elongated blues-y dirges of previous releases, for a tighter almost claustrophobic feel. House still uses his space wisely with well placed guitar lines knifing through pounding drums and insistent throbbing bass.
