Fuzzy Meadows: The Week's Best New Music (February 12th - February 25th)
Dr Sure's Unusual Practice - "Celebration" | Post-Trash Premiere
Following last year’s excellent BUBBLE (billed as a “mixtape” upon release), the band return with a new proper album, their third full length, Total Reality. Due out April 19th via Marthouse Records and Erste Theke Tontraeger, it’s fair to say that each successive DSUP record is better than the last, and they’ve definitely upped the ante.
Fuzzy Meadows: The Week's Best New Music (September 4th - September 17th)
Fuzzy Meadows: The Week's Best New Music (April 3rd - April 9th)
Dr Sure's Unusual Practice - "Low On Time" | Post-Trash Premiere
While the project’s last full length, Remember The Future? Vol. 2 & 1, was full of futuristic sheen, there’s something special about their upcoming “mixtape” BUBBLE, due out April 14th via Marthouse Records (Gut Health, Bench Press, Heir Traffic). Recorded solo by Dougal Shaw, the record leans on programmed drums and heavy synths.
Fuzzy Meadows: The Week's Best New Music (March 6th - March 19th)
Fuzzy Meadows: The Week's Best New Music (November 21st - November 27th)
Fuzzy Meadows: The Week's Best New Music (September 19th - October 2nd)
Dr Sure's Unusual Practice + Bench Press - "A Split 7" Between Friends" EP | Post-Trash Premiere
Fuzzy Meadows: The Week's Best New Music (September 12th - September 18th)
Fuzzy Meadows: The Week's Best New Music (October 11th - October 31st)
Fuzzy Meadows: The Week's Best New Music (September 27th - October 3rd)
Fuzzy Meadows: The Week's Best New Music (June 21st - July 11th)
Dr Sure's Unusual Practice - "While Aus Burns" | Album Review
Fuzzy Meadows: The Week's Best New Music (October 19th - November 1st)
Fuzzy Meadows: The Week's Best New Music (March 9th - March 15th)
Dr Sure's Unusual Practice - "Super Speedy Zippy Whipper" | Post-Trash Premiere
“Super Speedy Zippy Whipper” is the band's first single from their 7" EP Remember The Future? Vol 1 - out via Marthouse Records on April 10th. There's no shortage of angular guitar riffs, a tight rhythm section, supplementary synth lines - all allowing Shaw's knack for vocal melodies to shine through.