Genuine Dexterity is a release that might have lit the scene on fire and cemented itself as a collaboration arguably more important and revelatory than the others which raised Segal’s profile in years prior. Every song has an earnestly elliptical understanding of hip hop as a sonic and social force in a way few artists in the genre do today.
The Holy Grail: Bill Callahan’s “Smog” Dec. 10, 2001 Peel Session is a modest effort that nonetheless has much to say about both Callahan’s evolution and his consistency. This EP doesn’t rewrite history exactly, but it is revelatory about the contingent steps taken by him as an artist, more apparent in retrospect, thus amounting to a kind of rosebud explaining the move from one chapter to the next.
When Burlington singer-songwriter Greg Freeman quietly dropped I Looked Out, his first record released under his own name, there was little fanfare. Looking back at it two years later, with this new vinyl reissue and a follow-up record seemingly imminent, it stands as a showcase of an exciting songwriter who came out of the gate with a fully realized musical vision and unique lyrical style, and nowhere to go but up.
Cosmic Waves Volume 1 is sort of a compilation. That “sort of” categorization is due to a rarely applied (if done before) concept - a musical dialogue between Angel Olsen and five other artists/bands chosen by her. Side A features the label’s artists while Side B finds Olsen covering songs from their respective catalogs.
It takes a lot of chutzpah for a band to dub themselves the progenitors of a new genre, but Seattle’s Black Ends are up to the task, trading in what they call “gunk pop.” A sideways inversion of pop-punk, deep from the Pacific Northwest ethos of bluesy, heavy grunge and raucous, righteous Riot Girl.
