Nearly three years after the release of their exceptional debut EP, the band are set to return with Graceful, their first full length. Due out on May 15th via the team of Perennial and K Records, the album is a brilliant display of up-beat exuberance, power-pop resonance, and towering hooks.

The Big Them are not fucking around with their physical, volatile, and heavy-ass approach to acidic punk. The band of seasoned noise veterans possess an inherent sense of melodic understanding and instrumental control. Today, Post-Trash is thrilled to premiere the lead single “Yellow” from The Big Them’s upcoming album Four Colours.

Cleveland punks Suitor carry the post-punk torch of Rock n’ Roll City, USA. Today, Suitor announce Saw You Out With the Weeds, their Feel It Records debut. Post-Trash is excited to be premiering the record’s stunning lead single “Factory.”

Anna Altman are back with “Figure 8,” a song that’s long been a staple of their live sets. Built on an incredible drum pattern from Christian Billard, the song unfurls from a gorgeous arpeggiated progression into full blown metamorphosis as it orbits between bent indie rock and crisp pop ease.

Night Moth’s new single and upcoming record is exactly what you think might happen when you put members of Clifford and Squitch together, and we’re psyched to premiere “Rumination Song” today at Post-Trash.

Dreyer enter a world that’s bright and twangy on lead single “Three Sisters Garden,” a song that’s bristling with immediate charm and loose melodic jangle. It’s part alt-country and part power-pop with a touch of Modest Mouse itchiness, but there’s an undeniable splendor to it all.

Today, Post-Trash is thrilled to premiere “I Watch You,” a brand-spankin’ new Izzy True cut recorded LIVE in Rhode Island by Bradford Krieger at Big Nice Studio. The song is about AI, and especially apropos as we witness the slop fill and distort the cracks in the fabric of our reality.

Psych-jazz legend Shintaro Sakamoto announced his perfectly titled Yoo-hoo back in November, sharing “Dear Grandpa” and “Is There A Place For You There?” in its wake. This evening in America and this morning in Japan, Post-Trash is thrilled to premiere a live, in-studio performance “Is There A Place For You There?”

While we all eagerly await the next RONG record, Ollie Becker is set to release two new records from their archives, the debut albums from Other Joliah and Hairbrush, both due out on December 13th via Erased! Tapes (Dennis Bleach, Queen Crony, Damien Scalise).

Nashville singer-songwriter Vivienne Blue makes Americana-pop for hopeless romantics. “Always on My Mind” is a burning post-break up ballad, a song that sounds pulled right from the Laurel Canyon golden era. Vivienne Blue makes Americana-pop for the

Boston duo Lane have a record due out next year. Love is in the Rain’s lead single “Scream” finds Wes Kaplan and Julian Fader taking a more direct approach to indie rock, embracing their childhood influences for something as interesting as it is nostalgic.

Three years after bursting out, Maraudeur are set to release their next album, Flaschenträger, a record that zips between frantic post-punk and mesmerizing grooves. Leipzig’s favorite art punk band are pushing beyond the framework and wandering down rabbit holes.

Sarah Everton (Telepathic, Blowdryer) expands Added Dimension’s world while still residing in the realm of lo-fi tape recordings, leaning into brighter hooks and harmonies, a garage punk record that plays it loose while also paying attention to the finer details.

Across A Violet Pasture returns us directly back to Greg Jamie’s signature folk depth, a sound both of the natural world yet softly surreal. There’s a drift and a psychedelic fog to it all, but it’s focused and clear, with attention to textural detail and atmospheric resonance.

Caution is equal parts Nora Button and Cash Langdon. The duo’s punk potpourri includes elements of scuzzy electronics, pop songwriting, and hazy shoegaze. Today we’re thrilled to premiere the riff-heavy lead single from Caution’s upcoming record Peripheral Vision.

Philadelphia’s Snoozer make classic indie rock: catchy, quick, and immediate. Brothers Tom and Mike Kelly are sharing “Just Sayin’,” the lead single from Snoozer’s Born Losers Records debut Little Giants.

Phil Spector’s Gun blend their penchant for in-your-face immediacy and late-70s riffage that’s been passed through one of those everything-shredders at a recycling plant with a renewed urgency and a surprisingly big pinch of real tenderness. Today, Post-Trash is thrilled to premiere Another Side Of…, the latest full length from the Philadelphia outfit.

Due out on October 17th via Feel It Records, Citric Dummies’ "Split With Turnstile is brash and hilarious, overloaded with both punchlines and riffs, propulsive energy and beer guzzling joyfulness. These are concerning times and a little irreverence goes a long way.

Led by singer-songwriter Josephine Luhman, Chicago band Josephine pluck out rich folk pop melodies suffused with a quiet but insistent spirit. Today, Post-Trash is thrilled to premiere the project’s latest single, “Does It Pay.”

Baby Tyler comes unglued once again with “Cheap Plastic Coffins,” a brain rattling effort played at an all out sprint. With a tempo capable of bursting through concrete walls, Tyler Fassnacht wastes no time, digging into the harsh hardcore framework with a feral melody that illuminates unlikely hooks.