While never announced, Lady Bones quietly called it a day back in 2017, but not before recording one more album that has been shelved ever since. Fast forward to 2026 and that album, Downed, is set for release next week. We’re reintroduced with “Centerfold,” a propulsive ripper of tension and anxiety.

Today, Post-Trash is thrilled to premiere Old Joy’s "everything song”. Written on dog walks, the Austin-by-Chicago’s latest number is the answer to his own question; “If I could only ever write one song, what would I want to say?”

Set to release their second album Operator! on September 18th via Siltbreeze Records Eraser double down on deranged melodies, hypnotic rhythmic pulses, and serrated lyrics that are both politically minded and absurdist. The record is a dizzying trip of warped synth punk abandon.

Having recently released “La Dimora,” Outer World return today to announce their new album HOME, due out September 18th via Wilson’s own Courtesy Desk and the legendary K Records, a record that finds its home wherever it can - a place of comfort, a state of rest, a moment of peace.

Philadelphia’s Bruise Bath make heavy rock music in a catch-all sense, but tune to a brutal earnestness that abandons any pidgeon-holing genre platitudes. Today, we’re thrilled to premiere “Blood on My Tongue” off Bruise Bath’s upcoming self-titled full length.

Where “Violent Peasant” was locked in with a transfixed progression, “Atrophy” aims for something a bit dreamier (though equally discordant). The song finds Allison Durham on lead vocals, giving space for the band to spiral into the song via her 12-string guitar, kicking up dust with casual resolve.

There’s a palpable release of satisfaction when the building angst of Daundry’s measured alternating riffs explode into a cleansing wall of noise capable of drowning out even the most persistently gnawing thoughts.

It’s no secret we here at Post-Trash are big fans of Joyeria, and we’re delighted to premiere the leadoff track and first single from the London-by-Canada band’s upcoming LP Decay Decay Decay.

Consensus Madness are back at it with “Superfund,” taking aim at the government’s general lack of concern for our environment. The song stampedes forward on an overdriven riff and a brash rhythm, calling out the devious attempts to turn contaminated areas into new and hip neighborhoods through endless funding.

Giliann Karon premieres Trophy Wife’s third single from their upcoming full length Pathetic, out 7/10 via AWOL.

Ava Brennan is one of the best guitarists in Chicago. Today we’re thrilled to premiere the heady and heavy “Event Horizon,” Brennan’s latest since last summer’s “Home.”

Western Mass legends Bucket return with some new EPs and a new song out today.

Just in time for the next heatwave, Chicago’s Sprite return with Spriite, their exceptionally titled second EP. Recorded at Radon Ranch with engineering from Ben Grigg), the quartet tear through four bent and detached songs, bringing a hazy mix of shoegaze, slacker pop, and alternative rock muscle.

Oddfellows played some local shows and released one EP before moving on to form some of the more important power-pop and punk bands of their era - The Marked Men, Radioactivity, Mind Spiders, and The Reds, among others, but the time has come to return to where it all began.

It would seem Josaleigh Pollett’s musical evolution continues on If I Let It Quiet, a fantastic record that embraces gorgeous art pop (leaning on the pop end to fantastic results) and soft focus synth experimentation. Due out on July 24th via Audio Antihero, the avant-pop album is deeply focused.

OTOBO’s doomer-prog ticks like a time bomb, and “iOpen” sets the tone for the Albany three-piece’s white-hot motorik punk LP Inside Machines. Today, we’re thrilled to premiere the ad-spliced, nature-prefaced video for “iOpen.”

Barcelona-based Deaf Star make the shoegaze resurgence their own. Today, Post-Trash is thrilled to premiere “Dim Times,” the third and final preview before Deaf Star’s debut LP.

With melodies that stick like glue and a playbook for fluid grooves that split the difference between alternative rock, dream pop, and indie rock, Henry Grant’s music is swirling yet grounded. “Blue Circle Park” is a blissful look at the less than blissful privatization of public spaces in NYC.

Neptune’s Core have a bit of a “your favorite band’s favorite band” reputation in the Windy City, and we could not be more excited to be premiering their latest single and video “Lemon Car.”