Oddfellows played some local shows and released one EP before moving on to form some of the more important power-pop and punk bands of their era - The Marked Men, Radioactivity, Mind Spiders, and The Reds, among others, but the time has come to return to where it all began.

It would seem Josaleigh Pollett’s musical evolution continues on If I Let It Quiet, a fantastic record that embraces gorgeous art pop (leaning on the pop end to fantastic results) and soft focus synth experimentation. Due out on July 24th via Audio Antihero, the avant-pop album is deeply focused.

OTOBO’s doomer-prog ticks like a time bomb, and “iOpen” sets the tone for the Albany three-piece’s white-hot motorik punk LP Inside Machines. Today, we’re thrilled to premiere the ad-spliced, nature-prefaced video for “iOpen.”

Barcelona-based Deaf Star make the shoegaze resurgence their own. Today, Post-Trash is thrilled to premiere “Dim Times,” the third and final preview before Deaf Star’s debut LP.

With melodies that stick like glue and a playbook for fluid grooves that split the difference between alternative rock, dream pop, and indie rock, Henry Grant’s music is swirling yet grounded. “Blue Circle Park” is a blissful look at the less than blissful privatization of public spaces in NYC.

Neptune’s Core have a bit of a “your favorite band’s favorite band” reputation in the Windy City, and we could not be more excited to be premiering their latest single and video “Lemon Car.”

After a very long nine years away, Tall Friend has returned. The trio are set to release their second full length, Fossil, on May 15th via Window Sill Records, an undeniably special album that bridges together the past and present for songwriter River Pfaff.

Remember the muscular diagram in science class? That’s the kind of pop music HYPER GIRL make; flayed, visceral, and entirely unmasked. With Our Hyper, visual artist Koharu Ishida and noise artist Kurumi Kadoya have made their most authentic record yet.

NYC / Cincinatti punks Choncy bounce ideas off one another from the east coast to the Midwest, honing in on their “kitchen sink” sound from hundreds of miles away. Today, Post-Trash is thrilled to premiere the video for “Bypass,” Choncy’s second single from their upcoming Trademark.

Boston post-punk outfit Black Beach are set to release their third long-player tomorrow and Post-Trash has got first dibs. Mail Thief is out via Best Brother Records tomorrow.

With a deep understanding that pop nuggets are best delivered in nugget form, Slippers truly excel at miniature masterpieces, songs so catchy and fully realized they rarely need more than two minutes to create their jangly magic. Slippers 08 is overloaded with these kinds of moments.

Sunforger are back. Today, the Montreal-based post-grunge outfit have announce their second full length, and we’re over the moon to be premiering the first single from Weight, “Say Sorry.”

Pippy debut new track “Millionaire” off of their upcoming self-titled record out May 15th.

While the Ithaca based post-hardcore band might have spent five years between their previous two albums, the reinvigoration sparked by 2024’s Thirds continues to roar like an avalanche on Earthquake Lights, an album is awash in surging guitar riffs, extra thick melodies, and drums that beat our senses to a pulp.

Today, Post-Trash is thrilled to premiere the lead single from Webb Chapel’s forthcoming Vernon Manner. On an album that swings you up and down like a drugged-out pendulum, the solitude of “Hail Mary” only accentuates Webb Chapel’s knack for unpredictability.

“Dropped Down The Well” has become a staple of MEMORIALS’ live show, and it’s easy to see why. Built on a ripping rhythm with gorgeously insistent bass and a spring-loaded drum beat, the song is buzzing with propulsive energy and a wildly engaging sense of melody that has become synonymous with Verity Susman’s songwriting.

Occasionally Wretched Blessing’s path leads to unexpected covers, as the pair followed up their debut EP with a set of Deftones covers. They’re back with another cover and this one feels a bit more left field, taking on Calvin Harris and Disciple’s mega pop hit "How Deep Is Your Love”.

Montreal art-punk quintet La Sécurité are back and they’ve never sounded better than they do on “Bingo,” a song built on imaginative spontaneity. The song is rippling with serrated mutant disco exuberance that takes inspiration from the mundane and quickly pulls the rug out.

“stars implode” opens with sustained synths, keys, and a gluey rhythm highlighted by gobbinjr’s bass progression. Just as you’re sinking into the song, things shift around, elements dropping out as others arise, the entire framework remaining in tact but the details fade and reappear in new shapes.