Sarah Everton (Telepathic, Blowdryer) expands Added Dimension’s world while still residing in the realm of lo-fi tape recordings, leaning into brighter hooks and harmonies, a garage punk record that plays it loose while also paying attention to the finer details.

Across A Violet Pasture returns us directly back to Greg Jamie’s signature folk depth, a sound both of the natural world yet softly surreal. There’s a drift and a psychedelic fog to it all, but it’s focused and clear, with attention to textural detail and atmospheric resonance.

Caution is equal parts Nora Button and Cash Langdon. The duo’s punk potpourri includes elements of scuzzy electronics, pop songwriting, and hazy shoegaze. Today we’re thrilled to premiere the riff-heavy lead single from Caution’s upcoming record Peripheral Vision.

Philadelphia’s Snoozer make classic indie rock: catchy, quick, and immediate. Brothers Tom and Mike Kelly are sharing “Just Sayin’,” the lead single from Snoozer’s Born Losers Records debut Little Giants.

Phil Spector’s Gun blend their penchant for in-your-face immediacy and late-70s riffage that’s been passed through one of those everything-shredders at a recycling plant with a renewed urgency and a surprisingly big pinch of real tenderness. Today, Post-Trash is thrilled to premiere Another Side Of…, the latest full length from the Philadelphia outfit.

Due out on October 17th via Feel It Records, Citric Dummies’ "Split With Turnstile is brash and hilarious, overloaded with both punchlines and riffs, propulsive energy and beer guzzling joyfulness. These are concerning times and a little irreverence goes a long way.

Led by singer-songwriter Josephine Luhman, Chicago band Josephine pluck out rich folk pop melodies suffused with a quiet but insistent spirit. Today, Post-Trash is thrilled to premiere the project’s latest single, “Does It Pay.”

Baby Tyler comes unglued once again with “Cheap Plastic Coffins,” a brain rattling effort played at an all out sprint. With a tempo capable of bursting through concrete walls, Tyler Fassnacht wastes no time, digging into the harsh hardcore framework with a feral melody that illuminates unlikely hooks.

Four years after the release of Hélène Barbier’s great second album, Regulus, the Montreal based musician returns with new album Panorama, due out November 14th via Bonsound, a record bursting with cosmic beauty and tangled clarity.

I guess we all want our lives to be like a song. Verse and verse building to a resolute, resolving chorus. Perry Eaton, the MA-based singer-songwriter behind the new Americana project Ivy Boy, knows that life doesn’t really work out that way—that threads are left tangled and lost.

Boston’s Pariah Dog are a new band from Max Green and Tré Hester, who both spent time playing in the earliest Great Deceivers line-up. They’ve decided to reunite and start a new project with their intricate and gorgeous debut album, Stirring Truth, due out on October 3rd.

On “Stressed in Paradise,” Buddie flees to nature to find peace, but remains tethered to their phones, engrossed in clickbait and violence. Funneled through sunny melodies and grunge pop vocals, Buddie does what they do best – fighting apathy with collectivism and wrapping it up in an earworm.

Today, Post-Trash is thrilled to premiere Why Bother?’s “Indoctrination.” On their latest, the Mason City punk outfit offer answers in the mystery and mystery in the answers. Cling to reality and take back your very own astral projection with Why Bother?

Today, Post-Trash is thrilled to premiere “Lowballer,” from Somerville-based band Otis Shanty. “Lowballer” hides its dissolution behind its sound, but to Otis Shanty, it’s about “selling dreams in a buyer’s market.”

Earlier this year Nape Neck released a self-titled collection, pairing together both their first full length and the Look Alive EP. It’s a wonderful place to start for anyone looking for a good rattling, and thankfully, they’re back for more with new album The Shallowest End, due out on September 19th.

RNIE is Lamont Brown, a Philly-based artist and music maker. His sophomore LP FULL NEPTUNE is inspired by all things late night Y2K — PS2, Toonami, and a healthy dose of breakbeat. Today, Post-Trash is excited to premiere the video for “20K,” which Brown directed himself.

Time Thief is the new project from Zoe Wyner (halfsour) and James Walsh (Dump Him) out of Providence, RI and we are proud to premiere the video for their latest single “A Brief History of Ordinary Let Downs” off their upcoming self titled debut EP

Understanding’s Shmutz-directed video for “Flesh is Word” captures the Toronto four-piece in reflections, on a jungle gym, and along the shore. It’s an easy, breezy, keys-forward number, and the lead single from the band’s forthcoming debut the joy of living.

Post Trash is excited to premiere a new cut from Allston based “Farm Emo” band Tiberius. The project is back with their second single “Felt” from their upcoming album Troubadour, a thrilling cross section of emo=gaze and alt-country.

“Spectres” is the record’s fouth single, a song aimed for spooky season, at least in terms of how we wrestle with the events of our past and the trauma that can linger. Street Eaters dig into their post-hardcore influences, pushing and pulling in all directions like a ghost with sifting through a colander.