Four years after the release of Hélène Barbier’s great second album, Regulus, the Montreal based musician returns with new album Panorama, due out November 14th via Bonsound, a record bursting with cosmic beauty and tangled clarity.

I guess we all want our lives to be like a song. Verse and verse building to a resolute, resolving chorus. Perry Eaton, the MA-based singer-songwriter behind the new Americana project Ivy Boy, knows that life doesn’t really work out that way—that threads are left tangled and lost.

Boston’s Pariah Dog are a new band from Max Green and Tré Hester, who both spent time playing in the earliest Great Deceivers line-up. They’ve decided to reunite and start a new project with their intricate and gorgeous debut album, Stirring Truth, due out on October 3rd.

On “Stressed in Paradise,” Buddie flees to nature to find peace, but remains tethered to their phones, engrossed in clickbait and violence. Funneled through sunny melodies and grunge pop vocals, Buddie does what they do best – fighting apathy with collectivism and wrapping it up in an earworm.

Today, Post-Trash is thrilled to premiere Why Bother?’s “Indoctrination.” On their latest, the Mason City punk outfit offer answers in the mystery and mystery in the answers. Cling to reality and take back your very own astral projection with Why Bother?

Today, Post-Trash is thrilled to premiere “Lowballer,” from Somerville-based band Otis Shanty. “Lowballer” hides its dissolution behind its sound, but to Otis Shanty, it’s about “selling dreams in a buyer’s market.”

Earlier this year Nape Neck released a self-titled collection, pairing together both their first full length and the Look Alive EP. It’s a wonderful place to start for anyone looking for a good rattling, and thankfully, they’re back for more with new album The Shallowest End, due out on September 19th.

RNIE is Lamont Brown, a Philly-based artist and music maker. His sophomore LP FULL NEPTUNE is inspired by all things late night Y2K — PS2, Toonami, and a healthy dose of breakbeat. Today, Post-Trash is excited to premiere the video for “20K,” which Brown directed himself.

Time Thief is the new project from Zoe Wyner (halfsour) and James Walsh (Dump Him) out of Providence, RI and we are proud to premiere the video for their latest single “A Brief History of Ordinary Let Downs” off their upcoming self titled debut EP

Understanding’s Shmutz-directed video for “Flesh is Word” captures the Toronto four-piece in reflections, on a jungle gym, and along the shore. It’s an easy, breezy, keys-forward number, and the lead single from the band’s forthcoming debut the joy of living.

Post Trash is excited to premiere a new cut from Allston based “Farm Emo” band Tiberius. The project is back with their second single “Felt” from their upcoming album Troubadour, a thrilling cross section of emo=gaze and alt-country.

“Spectres” is the record’s fouth single, a song aimed for spooky season, at least in terms of how we wrestle with the events of our past and the trauma that can linger. Street Eaters dig into their post-hardcore influences, pushing and pulling in all directions like a ghost with sifting through a colander.

Nottingham’s No Peeling spent Christmas Eve recording S/T, their upcoming Feel It Records debut. Christmas came early, because S/T is the gift that keeps giving. Today, Post-Trash is thrilled to premiere the lead single, “Can I Pet That Dog?”

The record expands upon the project’s industrial experimentation, lurking deep in atmospheric dread and jarring no wave, everything given its own space to settle. There’s a refined patience to the album. Sure, it’s still noisy, avant-garde, and penetrating, but it does all that with an emphasis on nuance.

Besta Quadrada’s first full length is a self-described “bratty hardcore” record, jam packed with caustic rippers and bouncy rhythms. Much like Rotary Club or Judy And The Jerks, the band tear through each buzzing song with a surge of personality, the songwriting equal parts rippling anxiety, sass, and sarcasm.

Portsmouth’s Dog Lips hardly believe in down-time. Since 2022, they’ve been ripping up the East Coast DIY circuit, reveling in their signature balance of mayhem and cool. Today Post-Trash is thrilled to premiere “Gush,” the incredibly catchy first helping of Danger Forward.

Calendar Year is a psychedelic folk album that reflects on the dour times with beauty amid the difficulty. Jessica Risker and her band expand their atmospheric qualities, dropping further into cosmic acoustics and Broadcast influenced textural warmth with a gentle strength in each of the songs.

Guck’s latest single, “GUBAR,” oozes and pulses, the repetition of the chord progression pounding away like a sledgehammer to pavement. While the riff is locked into a psych tinged dread, it gives room for both the drums and vocals to explore, embracing the opportunity with their own ruthless charms.

With its wide scope, Milked’s new album Forgotten Pleasures demands to be heard in full, and while little can prepare you for certain tracks, they’re sharing the record’s first single, “Slow Pyre,” one of the album’s sonically unique moments - an art pop odyssey with shack shaking programmed beats.

Two years after the release of Derealization, Julia, Julia returns with Sugaring A Strawberry, due out on September 9th via Suicide Squeeze Records and Happy Sundays Records. The album is gorgeous and dreamy, surrealist and psychedelic, an auditory plume of haze on a hot summer day.