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Kassie Krut - "EP" | Album Review

by Joseph Mastel

Each year, it’s always fun to reflect on which music was the “best of the best,” which shattered your expectations, and which had the biggest personal impact. This year, that was the case for Kassie Krut’s self-titled debut EP, as it checks all three boxes. It is a pitch-perfect debut, and not many releases from 2024 come close to matching it. Kassie Krut is a band that you want to keep on your radar, as it is safe to assume that they will continue to deliver highly memorable and unique material for years to come.

Ex-Palm members Kasra Kurt and Eve Alpert are joined by Matt Anderegg (Mothers, Body Meat) to make up Kassie Krut. The trio trade Palm’s electrifyingly unorthodox guitar riffs for intense beat drops and surreal electronics. However, Kassie Krut riveting maximalism maintains Palm’s adventurous unpredictability, weird experimentation, and captivating instrumentation. The industrial electronic anthem “Reckless” is a prime example. Propelled by Alpert’s infectiously hypnotic vocals, sing-along lyrics, a punky and witty attitude, and an intoxicating drum rhythm, “Reckless” is a dazzling spectacle of a song. It’s one of the best from 2024, as it is truly extraordinary and highly original stuff. Another example is the wacky but incredibly mesmerizing “Racing Man.” Alpert’s immaculate vocals meld with the frantically noisy instrumentation, and avant-garde song structure.

From top to bottom, this record goes insanely hard. There is not a single dud on this EP. The trance-like rhythms and beat drops in “Hooh Beat” make a dynamite combination, and deserves to be blasted as loud as possible. Meanwhile, the rough and heavy instrumentation, gritty atmosphere, and Alpert’s soothing vocals in “Blood” blend perfectly. On the other hand, the out-of-control electronics and wild drumming of “United” is wickedly entertaining. Even the instrumental track “Espresso” is excellent, combining interesting textures and a gorgeous cinematic soundscape.

Overall, Kassie Krut’s self-titled debut EP is truly exhilarating. At a runtime of under twenty minutes, this EP goes by fast, but it has such a good replay value that you can listen to it again and again.

Queen Serene - "In a Rut (I'm Stuck)" Video | Post-Trash Premiere

Queen Serene - "In a Rut (I'm Stuck)" Video | Post-Trash Premiere

Following the album’s release and a split 7” with Heavy Meddo, Queen Serene are sharing the Taylor Browne directed video for “In a Rut (I’m Stuck)”. Browne brings a brilliant mix of stop-motion claymation and a acidic charm to the natural world as good and evil forces battle it out under waves of psychedelic chaos.

Fuzzy Meadows: The Week's Best New Music (January 13th - January 19th)

Fuzzy Meadows: The Week's Best New Music (January 13th - January 19th)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Bill Callahan - "The Holy Grail: Bill Callahan's "Smog" Dec. 10, 2001 Peel Session" | Album Review

Bill Callahan - "The Holy Grail: Bill Callahan's "Smog" Dec. 10, 2001 Peel Session" | Album Review

The Holy Grail: Bill Callahan’s “Smog” Dec. 10, 2001 Peel Session is a modest effort that nonetheless has much to say about both Callahan’s evolution and his consistency. This EP doesn’t rewrite history exactly, but it is revelatory about the contingent steps taken by him as an artist, more apparent in retrospect, thus amounting to a kind of rosebud explaining the move from one chapter to the next.

Fuzzy Meadows: The Week's Best New Music (January 6th - January 12th)

Fuzzy Meadows: The Week's Best New Music (January 6th - January 12th)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Greg Freeman - "I Looked Out" (Reissue) | Album Review

Greg Freeman - "I Looked Out" (Reissue) | Album Review

When Burlington singer-songwriter Greg Freeman quietly dropped I Looked Out, his first record released under his own name, there was little fanfare. Looking back at it two years later, with this new vinyl reissue and a follow-up record seemingly imminent, it stands as a showcase of an exciting songwriter who came out of the gate with a fully realized musical vision and unique lyrical style, and nowhere to go but up.

ALBUM OF THE WEEK: Black Curse - "Burning in Celestial Poison"

ALBUM OF THE WEEK: Black Curse - "Burning in Celestial Poison"

Black Curse’s second album, Burning in Celestial Poison, is 45 minutes of excruciating malevolence. Four years after their debut, the band returns with four curses, recited with impenetrable shrieking and swirling guitars hollering from the depths of Hell.

Fuzzy Meadows: The Week's Best New Music (December 2nd - December 15th)

Fuzzy Meadows: The Week's Best New Music (December 2nd - December 15th)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Various Artists - "Cosmic Waves Volume 1" | Album Review

Various Artists - "Cosmic Waves Volume 1" | Album Review

Cosmic Waves Volume 1 is sort of a compilation. That “sort of” categorization is due to a rarely applied (if done before) concept - a musical dialogue between Angel Olsen and five other artists/bands chosen by her. Side A features the label’s artists while Side B finds Olsen covering songs from their respective catalogs.

The Stiletto Edge Between Innovation and Emotion: An Interview with Xiu Xiu

The Stiletto Edge Between Innovation and Emotion: An Interview with Xiu Xiu

There’s no better evidence for why the band has stayed so relevant than their mind-altering new album 13" Frank Beltrame Italian Stiletto with Bison Horn Grips, an astounding slice of psychedelia-tinged noise-pop. Music is more than mere purpose to Jamie Stewart but intrinsic to their life just as it is to the listeners.

Post-Trash's Staff Picks: The Best of 2024

Post-Trash's Staff Picks: The Best of 2024

We're happy to present "Post-Trash's Staff Picks: The Best of 2024" as voted by the site’s wonderful contributors (including their individual lists). With 25 of our writers submitting their votes, we had 372 different records nominated and only the top four records received a collected score of sixty or higher.

ALBUM OF THE WEEK: The Submissives - "Live At Value Sound Studios"

ALBUM OF THE WEEK: The Submissives - "Live At Value Sound Studios"

The Live at Value Sound Studios album by The Submissives is an honest, versatile, chamber of preternatural affairs. Full of satirical, distorted sounds, the band are reminiscent of 60s kink-style, psychedelic-fueled rock and riot-y Mommy Long Legs qualities.

Post-Trash's Year In Review: The Best of 2024

Post-Trash's Year In Review: The Best of 2024

We present Post-Trash’s Year In Review, featuring 150+ of our favorite releases throughout 2024. It’s been a great year for discovering new music and we hope you find something you love. Dig in and explore.