Even when life feels a bit on tilt, Sadie Dupuis is an affable interview subject, personable and blessed with razor-sharp insight. She sat down with Post-Trash to discuss grim reapers at protests, the GOATs of the short song format, and the physical and mental hurdles that ultimately led to cutting loose and having some fun.
Mesh - "Atrophy" | Post-Trash Premiere
Where “Violent Peasant” was locked in with a transfixed progression, “Atrophy” aims for something a bit dreamier (though equally discordant). The song finds Allison Durham on lead vocals, giving space for the band to spiral into the song via her 12-string guitar, kicking up dust with casual resolve.
Daundry - “Djork” | Post-Trash Premiere
Downtown Boys | Feature Interview
A Microtonal Searching: In Conversation with the Horse Lords
Gunner - "Reality Soldier" | Album Review
Joyeria - "Duller Grey" | Post-Trash Video Premiere
"Fuzzy Meadows" presents "The Best of 2026: A Mid-Year Report"
There’s been a lot of music released so far this year and someone on the internet might as well make a list out of it. Everyone has different taste. We all like different things for different reasons and that’s sort of the beauty of it all. Might we suggest these fifty albums, EPs, and one incredible split seven inch.
Styrofoam Winos - "Any River" | Album Review
The Life You Save May Be Your Own: A Conversation with Zoh Amba
Souled American - "Sanctions" | Album Review
Consensus Madness - "Superfund" | Post-Trash Premiere
Consensus Madness are back at it with “Superfund,” taking aim at the government’s general lack of concern for our environment. The song stampedes forward on an overdriven riff and a brash rhythm, calling out the devious attempts to turn contaminated areas into new and hip neighborhoods through endless funding.



















