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Not a Kiid Anymore: Mal Devisa | Feature Profile

Not a Kiid Anymore: Mal Devisa | Feature Profile

Mal Devisa’s Palimpsesaher first project since her debut Kiid— is a collection of songs written between 2015 and 2025 chronicling Deja Carr’s musical output at all ages and stages of expression. It’s a tidal wave of memory, a trip through a musical genius’s mind, and a true reflection of who Mal Devisa has become.

"Essentials" | New Music Recommendations

"Essentials" | New Music Recommendations

Welcome to “Essentials,” a sporadic column for new music recommendations from one lifelong chucklehead with questionable taste. It’s similar to “Fuzzy Meadows” except the title makes more sense and we’ve removed the words “best” and “weekly”.

Sunk Heaven - "Starved Divinity" | Post-Trash Premiere

Sunk Heaven - "Starved Divinity" | Post-Trash Premiere

The record expands upon the project’s industrial experimentation, lurking deep in atmospheric dread and jarring no wave, everything given its own space to settle. There’s a refined patience to the album. Sure, it’s still noisy, avant-garde, and penetrating, but it does all that with an emphasis on nuance.

Out This Week | Post-Trash Highlights

Out This Week | Post-Trash Highlights

A weekly post highlighting but a few of our favorite new releases in splendid alphabetical order, brief and (hopefully) informative. There’s a lot of great music out every week and these are but some of the many we think you should check out.

Besta Quadrada - "Running" | Post-Trash Premiere

Besta Quadrada - "Running" | Post-Trash Premiere

Besta Quadrada’s first full length is a self-described “bratty hardcore” record, jam packed with caustic rippers and bouncy rhythms. Much like Rotary Club or Judy And The Jerks, the band tear through each buzzing song with a surge of personality, the songwriting equal parts rippling anxiety, sass, and sarcasm.

American Pastoral, with Mary Lattimore | Feature Interview

American Pastoral, with Mary Lattimore | Feature Interview

Mary Lattimore sculpts soundscapes that transmute the listener to a state that is as deeply disquieting as it is intensely curative. Post-Trash’s Khagan Aslanov sat down with the harpist at Sled Island Music Festival to chat about her beginnings, collaboration, and her love of The Cure.