While never announced, Lady Bones quietly called it a day back in 2017, but not before recording one more album that has been shelved ever since. Fast forward to 2026 and that album, Downed, is set for release next week. We’re reintroduced with “Centerfold,” a propulsive ripper of tension and anxiety.
Smirk - "Speculative Fiction" | Album Review
Hoping for a Haunting with Amy Rose Mills | Feature Interview
Fuzzy Meadows: The Week's Best New Music (Assorted Selections from July)
Old Joy - "Cinco de Mayo" | Post-Trash Premiere
The Origins and Future of Victoryland | Feature Interview
Cate Kennan - "Shadows" | Album Review
Eraser - "Crindy" | Post-Trash Premiere
Outer World - "Present Perfect Future Past" | Post-Trash Premiere
Josaleigh Pollett | Feature Interview
Bruise Bath - "Blood on My Tongue" | Post-Trash Premiere
Consensus Madness - "Endeavors" | Album Review
Fuzzy Meadows: The Week's Best New Music (Assorted Selections from June)
Eddy Current Suppression Ring - “In Light of Recent Events” | Album Review
Death and Duality: Sad13’s Totally Upbeat, Fun-as-Hell Promotional Interview
Even when life feels a bit on tilt, Sadie Dupuis is an affable interview subject, personable and blessed with razor-sharp insight. She sat down with Post-Trash to discuss grim reapers at protests, the GOATs of the short song format, and the physical and mental hurdles that ultimately led to cutting loose and having some fun.
Mesh - "Atrophy" | Post-Trash Premiere
Where “Violent Peasant” was locked in with a transfixed progression, “Atrophy” aims for something a bit dreamier (though equally discordant). The song finds Allison Durham on lead vocals, giving space for the band to spiral into the song via her 12-string guitar, kicking up dust with casual resolve.



















