Thanya Iyer listens closely. During a conversation earlier this year, the Montréal singer-songwriter describes the stillness she discovered while creating her third record. Post-Trash’s Aly Eleanor chats with Iyer about her beginnings, community, and the collaborative efforts on her lates record TIDE/TIED.
Makena’s new album bathes and listens finds Devin McKnight turning inward, riding the tension between the personal and the universal. Post-Trash’s Benji Heywood caught up with McKnight to discuss the making of bathes and listens, the nature of progress, and how compassion and empathy can shape the future.
Good Flying Birds use 20th century tech to craft 21st century guitar rock. Sharp, punchy, and loaded with hooks, their latest record combines analog recording techniques with Internet ubiquity. Post-Trash spoke with GFB’s Kellen Baker about dreams, home recording, and their excellent new record Talulah’s Tape.
Early New York Silver is a collaboration between Lee Ranaldo and Michael Vallera. Consisting of two tracks and lasting approximately 45 minutes, it is based on a set of performances recorded in July 2022 as part of a series curated by musician David Watson. Ranaldo and Vallera spoke to Post-Trash about how their collaboration and album came together.
Asher White’s music is tracked on canvas with broad strokes, layers, accents, and delightful blends of influence and genre. 8 Tips is remarkably cohesive and hints at the artist’s genre-less future pop. Post-Trash spoke with Asher White about the influence of the Chicago noise scene, a teenage acid trip, concurrent apocalypses, and her Joyful Noise debut.
Mal Devisa’s Palimpsesa— her first project since her debut Kiid— is a collection of songs written between 2015 and 2025 chronicling Deja Carr’s musical output at all ages and stages of expression. It’s a tidal wave of memory, a trip through a musical genius’s mind, and a true reflection of who Mal Devisa has become.
