As of late, claire rousay and more eaze (Mari Maurice) have made some of the most creatively intriguing, weirdly catchy, strangely hypnotic, and wildly avant-garde electronic and ambient music. Post-Trash chatted through Zoom with more eaze about no floor, the creative process, and her friendship with claire rousay.
Ambient musician claire rousay’s first proper foray into more traditional song forms, sentiment, nonetheless opens with a spoken sample, “It’s 4pm on a Monday and I cannot stop crying.” Perhaps the clip makes sense for an artist who is best known for her work trying to coax emotionality out of the sounds of mundane tasks and ideas.
Partnering with American Dreams, Rousay’s latest, a softer focus, is a subtle new leaf. All the usual elements of her previous recordings are still here, albeit with greater spaciousness; Rousay’s partnership with a handful of chamber collaborators are a key element in that, imparting her songs their own dusk-tinged shadows.
