We're happy to present "Post-Trash's Staff Picks: The Best of 2024" as voted by the site’s wonderful contributors (including their individual lists). With 25 of our writers submitting their votes, we had 372 different records nominated and only the top four records received a collected score of sixty or higher.
Unknowing has never sounded as free as it does on Accept When, the new record from Caroline Davis and Wendy Eisenberg. The duo confidently dis- and reassemble the paths of their music without worrying about the destination. They rely on each other and all they bring to the table, rather than individual experience.
The time to catch up on the unabridged Post-Trash “Year In Review” has arrived, with all the releases we’ve grown to know and love over the past twelve months, from the smallest of DIY tape releases to the buzz bands and beyond. It’s all here… mostly. This is our comprehensive guide to our favorite records of the year without a pre-determined length.
Wendy Eisenberg’s reputation as a fixture within overarching New England DIY from the punk-adjacent Birthing Hips to hip compositions for the guitar and banjo have enshrined them with a singular maverick quality. Auto makes good on all those pieces, coalescing them into a dense sonic universe that you could fill a book about its pieces
