We're happy to present "Post-Trash's Staff Picks: The Best of 2022" as voted by the site’s wonderful contributors (including their individual lists). With 23 of our writers submitting their votes, we had 313 different records nominated (which means there weren’t many repeats) and only the top eight records received a score of sixty or higher.
Black Midi continually evolve to the theatricality of the spectacle. They will stop at nothing to conjure and bring us for the spectacle. At long last, Hellfire is their studio album level spectacle; available for home surround sound systems, car CD players, tape decks, or the transient online comatose system of the internet.
The time to catch up on the unabridged Post-Trash “Mid-Year Report” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past six months. This is our semi-comprehensive guide to our favorite releases of the year so far without a pre-determined length.
Cavalcade has been out for nearly a month now, and we’re all still oozing over how they managed to rip it up and start once more in their own orbit. The change to producer John “Spud” Murphy and significant increase in the size of their backing arrangements did not betray their adherence to any of the critical Speedy Wunderground tenants.
The time to catch up on the unabridged Post-Trash “Year In Review” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past twelve months, even a few “buzz” bands and beyond. This is our comprehensive guide to our favorite releases of the year without a pre-determined length.
