We're happy to present "Post-Trash's Staff Picks: The Best of 2022" as voted by the site’s wonderful contributors (including their individual lists). With 23 of our writers submitting their votes, we had 313 different records nominated (which means there weren’t many repeats) and only the top eight records received a score of sixty or higher.
We present our “Mid-Year Report," a comprehensive guide to our favorite releases of the first half of this year, without any pre-determined length or insignificant rankings. If we’re into it, we're including it (unless we plumb forgot it or just haven’t spent enough time with it… which happens, in which case our sincerest of apologies).
The time to catch up on the unabridged Post-Trash “Year In Review” has arrived, with all the releases we’ve grown to know and love over the past twelve months, from the smallest of DIY tape releases to the buzz bands and beyond. It’s all here… mostly. This is our comprehensive guide to our favorite records of the year without a pre-determined length.
Th’Pig’Kiss’d Album is their second full-length and the chaotic lo-fi spirit remains intact. It was released by the new Dutch label Soft Office, started by members of the Lewsberg (as well as Cleta Patra). Chronophage share the same DIY and post-punk tendencies as their label bosses, but overall they skew to lighter and fuzzier jangle.
