We're happy to present "Post-Trash's Staff Picks: The Best of 2024" as voted by the site’s wonderful contributors (including their individual lists). With 25 of our writers submitting their votes, we had 372 different records nominated and only the top four records received a collected score of sixty or higher.
Shimmering like a mirrored ballroom Diamond Jubilee is a record of tasteful excess. Across its two-hour runtime, the album never seems to ache for the common descriptors of work of its length. This is not an album that is epic in scope, but rather a precisely and perfectly executed collection of hauntingly brilliant guitar pop.
The time to catch up on the unabridged Post-Trash “Year In Review” has arrived, with all the releases we’ve grown to know and love over the past twelve months, from the smallest of DIY tape releases to the buzz bands and beyond. It’s all here… mostly. This is our comprehensive guide to our favorite records of the year without a pre-determined length.
The time to catch up on the unabridged Post-Trash “Mid-Year Report” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past six months. This is our semi-comprehensive guide to our favorite releases of the year so far without a pre-determined length.
What’s Tonight To Eternity, the third full-length project under the name, maybe Cindy Lee’s most fulfilled and fulfilling record yet, with moments 1950s and ’60s-tinged pop fighting their way to the surface of feedback and abstracted noise, poignantly investigating the intertwining nature of love and hurt, beauty and horror.
Cindy Lee is the nom de plume of Calgary's Patrick Flegel, who at this stage is still much better known as singer and guitarist of their former group Women. Malenkost and Act of Tenderness, both originally released in 2015 and disseminated by Flegel himself and Vancouver's Isolated Now Waves respectively, have been re-issued by Superior Viaduct.
