Sweeping Promises’ powerful piercing vocals, grungy guitar, and oddly hypnotizing synth lines combine with the post-punk atmosphere to make this band unforgettable, leaving the listener with a lasting impression. The album deals with depressing themes, different forms of distress, yet the duo’s sound remains bright .
Post-Trash's Year In Review: The Best of 2023
Fuzzy Meadows: The Week's Best New Music (June 19th - July 2nd)
Post-Trash's Best of 2023 | The Mid-Year Report
Fuzzy Meadows: The Week's Best New Music (June 5th - June 11th)
Fuzzy Meadows: The Week's Best New Music (May 1st - May 7th)
Sled Island 2022 Highlights | Festival Coverage
Sled Island was back this year, taking place June 22nd through the 26th. The festival takes place in downtown Calgary, Alberta over five days at a bunch of different venues throughout the city, featuring over 200 artists in rock, hip-hop, and experimental music. Post-Trash’s Matt Watton reported on some of the best acts he saw.
Sweeping Promises Talk Engineering Their Signature Sound, Touring, Social Media, and More | Feature Interview
“Pain Without a Touch” is just one product of a year-long writing session they say yielded sixty or so songs in total. Following the release, the two spoke to Post-Trash about engineering their signature sound, embarking on the first Sweeping Promises tour, and joining Twitter as social media skeptics.
Fuzzy Meadows: The Week's Best New Music (November 8th - November 21st)
Post-Trash's Best of 2020 | The Year In Review
The time to catch up on the unabridged Post-Trash “Year In Review” has arrived, with all the releases we’ve grown to know and love over the past twelve months, from the smallest of DIY tape releases to the buzz bands and beyond. It’s all here… mostly. This is our comprehensive guide to our favorite records of the year without a pre-determined length.