Fuzzy Meadows: The Week's Best New Music (August 7th - August 13th)
Fuzzy Meadows: The Week's Best New Music (January 30th - February 5th)
Fuzzy Meadows: The Week's Best New Music (January 16th - January 22nd)
Post-Trash's Year In Review: The Best of 2022
NNAMDÏ - "Please Have A Seat" | Album Review
Fuzzy Meadows: The Week's Best New Music (October 31st - November 6th)
Fuzzy Meadows: The Week's Best New Music (October 10th - October 23rd)
Fuzzy Meadows: The Week's Best New Music (October 3rd - October 9th)
Fuzzy Meadows: The Week's Best New Music (August 29th - September 11th)
Fuzzy Meadows: The Week's Best New Music (August 8th - August 21st)
Fuzzy Meadows: The Week's Best New Music (June 20th - July 3rd)
Fuzzy Meadows: The Week's Best New Music (November 8th - November 21st)
Fuzzy Meadows: The Week's Best New Music (June 7th - June 20th)
Fuzzy Meadows: The Week's Best New Music (April 26th - May 9th)
Post-Trash's Best of 2020 | The Year In Review
The time to catch up on the unabridged Post-Trash “Year In Review” has arrived, with all the releases we’ve grown to know and love over the past twelve months, from the smallest of DIY tape releases to the buzz bands and beyond. It’s all here… mostly. This is our comprehensive guide to our favorite records of the year without a pre-determined length.
Fuzzy Meadows: The Week's Best New Music (October 5th - October 18th)
Fuzzy Meadows: The Week's Best New Music (September 21st - October 4th)
NNAMDÏ Discusses "KRAZY KARL," "BRAT," and The Creative Process | Feature Interview
Long before this year, NNAMDÏ’s music and live performances had solidified him as an artist making was truly something special. With three exceptional releases in 2020 (BRAT, Black Plight, KRAZY KARL), he’s cemented himself as one of the most creative and genre defiant voices. Ryan Martin spoke to him about the making of KRAZY KARL.
NNAMDÏ - "KRAZY KARL" | Album Review
NNAMDÏ’s latest effort, released less than three months after BRAT, is a 20 minute mind-fuck that displays the core of his imaginative genius. Inspired by Looney Tunes composer Carl Stalling, it takes what made Stalling’s music fun, inventive, and exciting, and makes it darker, weirder, more experimental, psychedelic, and overall braver.