It is perhaps most interesting to think about the release of archival recordings as a self-conscious act of disruption and messing with the legacies of the band at hand – a moment of unsettlement, even self-immolation, rather than artistic affirmation. Shining a light on neglected cul-de-sacs and past desire, they can project competing, even opposing, interests and expectations. These latter thoughts apply to the albums under review by Wire, Stereolab, and Iceage, though they are not alone.
Further Listening: A Compendium | Year-End 2022 Feature
As anyone who reads our “Fuzzy Meadows” column already knows, the “list” is just the beginning, and we’re always eager to add some “Further Listening” for consideration. Despite what some would have you believe, music is not a contest. We profiled many records in our “Year In Review” feature, but the fun doesn’t stop there.
Fuzzy Meadows: The Week's Best New Music (August 22nd - August 28th)
Fuzzy Meadows: The Week's Best New Music (August 1st - August 7th)
Fuzzy Meadows: The Week's Best New Music (June 20th - July 3rd)
Stereolab - "Electrically Possessed (Switched On Volume 4)" | Album Review
After remastering, expanding, and re-releasing their back catalog, they proffer the fourth entry in the Switched On series, a sprawling omnium-gatherum of rarities recorded between 1999 and 2008. Electrically Possessed is full of agreeable eccentricity: buoyant beats and blubbering synthesizers; enchanting vocal utterances and bass lines that fit together like Sudoku puzzles.