Goat Girl’s third album Below the Waste is their first as a trio, but they’ve developed a sound that might take upwards of ten musicians to recreate, where folk textures and gorgeous harmonies are polluted by a sludge of dreary post-punk. It runs a hefty sixteen songs and with this there’s variety and experimentation in spades.
The time to catch up on the unabridged Post-Trash “Mid-Year Report” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past six months. This is our semi-comprehensive guide to our favorite releases of the year so far without a pre-determined length.
On All Fours, from London based Goat Girl, dials up the danceable grooves under the floating psychedelic flourishes that were ever present on the previous recordings. There is a more pronounced musicality on display here with flowing rhythm and elastic bass providing a more fluid base for a new form of musical exploration.
