Post-Trash's Best of 2018 | The Year In Review
Fuzzy Meadows: The Week's Best New Music (November 19th - December 2nd)
"The Post-Trash 60" | Our Favorite Albums of 2018's First Half (A Mid Year Report)
Fuzzy Meadows: The Week's Best New Music (April 9th - April 22nd)
SUPERTEEN - "Over Everything" | Album Review
Fuzzy Meadows: The Week's Best New Music (February 5th - February 25th)
SUPERTEEN - "Over Everything" LP | Post-Trash Premiere
They've spent the past five years releasing increasingly great albums, perfecting their vision of tattered indie rock with sharp stabs of post-punk, psych, twangy hardcore, and their own unique go at jangly art pop. Over Everything, due out February 23rd via the ever reliable Sad Cactus Records, is a sweeping collision of opposing forces, a menacing blend of explosive dynamics and infectious melodies.
Fuzzy Meadows: The Week's Best New Music (January 22nd - February 4th)
Post-Trash's Best of 2016 | Guest List
Post-Trash's Best of 2016 | The Year In Review
Welcome to the second annual Post-Trash "Year In Review," a look back at our favorite music of the year. Let this be your guide to not only reconnect with your personal favorites, but more importantly to discover something new. We've profiled 100+ of the releases that make Post-Trash the site that it is, with countless others recommended as "further listening," a section for releases you might have missed.
Fuzzy Meadows: The Week's Best New Music (July 11th - July 24th)
"The Post-Trash 50" | Our Favorite Albums of 2016 (A Mid Year Report)
SUPERTEEN - "Isn't A Person" | Album Review
The entire album flows fluidly and lucidly, transitioning smoothly from heavier moments of driving washed out post-punk to bright and jangly indie folk. The guitar and bass tones are situated expertly throughout the album to have just the right amount of ambiguity and just the right amount of clear expression.
Fuzzy Meadows: The Week In Review (January 11th - January 17th)
SUPERTEEN - "Oh Baby" | Post-Trash Exclusive Premiere
Twisted post-punk and dark as hell psych rock are par for the course, strung out in every direction as the guitars work together to create a thick layered madness. At the core of their charm lies duel vocalists Sam Robinson and Meryl Schultz, often singing simultaneously, harmonizing at times and delightfully working against each at others. Beautiful, discordant, well structured yet deceptively loose, their music pushes as it pulls, transfixed in it's sinister witchy grooves.