Post-Trash Facebook Post-Trash Twitter

Possum - "Party Jam" | Post-Trash Premiere

Possum - "Party Jam" | Post-Trash Premiere

Toronto psych punks Possum are set to release their full length debut, Space Grade Assembly, in just a few weeks (June 21st via Garment District), a record that is both swirling with garage rock excess and cosmic basement fuzz. It shreds and shreds, brain cells be damned, bringing to mind early albums from Wand or Meatbodies.

Little Musket - "Dolly Parton" | Post-Trash Premiere

Little Musket - "Dolly Parton" | Post-Trash Premiere

Hailing from Boston, Little Musket started out as the songwriting vehicle for Catherine Conley but has expanded into a full-fledged four piece.  You can expect a big sound with a direct, personal point-of-view.  Little Musket’s upcoming debut record, Fever Blister, is being released by Dadstache Records (Calicoco, Fuzzrod).

Karaoke - "Baby" Video | Post-Trash Premiere

Karaoke - "Baby" Video | Post-Trash Premiere

The song’s slow and ominous introduction is paired perfectly with the video’s lighting, backing out into frame without any sense of urgency. The clip is fantastically off-centered which works together with the song, a dirge of psych tension that opens to primal drums and eventually the surfy bliss of Grace Wayne’s vocals and guitar.

Augustine Esterhammer-Fic - "Things Change / Boo'd Up" | Post-Trash Premiere

Augustine Esterhammer-Fic - "Things Change / Boo'd Up" | Post-Trash Premiere

In this video, Esterhammer-Fic’s powers of arrangement are on full display, as is his vulnerability as an untested artist that is stepping out as a songwriter, in many ways, for the first time. What better way to do that than by showcasing an orchestral reinterpretation of the Grammy Award Winning Certified R&B Banger “Boo’d Up” by Ella Mai.

Constant Mongrel - "Shnuki" | Post-Trash Premiere

Constant Mongrel - "Shnuki" | Post-Trash Premiere

Tempering aggression for something sweeter (but no less biting), “Shnuki” moves bassist Amy Hill (also of Terry) over to lead vocals, with Tom Ridgewell’s vocals closely snapped into place just beneath. The song opens with a razor sharp guitar line, still distorted and tightly wound, but it’s the vocals introduction that dives headfirst into pop uncharted pop-territory.

Divorce Cop - "What?" EP | Post-Trash Premiere

Divorce Cop - "What?" EP | Post-Trash Premiere

The band’s debut EP, What?, clocks in at a lean six minutes and five tracks, an economical approach to noise punk that shines in its brevity. Divorce Cop, comprised of Brock Ginther (Royal Blood), Chris Gervais (Toothbrush), and Anthony Bitetti (Great Western Plain), each bring a little something of their own to the ramshackle recordings,

Flesh Panthers - "Holy Roller" LP | Post-Trash Premiere

Flesh Panthers - "Holy Roller" LP | Post-Trash Premiere

The band’s new full-length record, Holy Roller, reveals a more relaxed and reflective side. They’re still channeling the Stones, but this time around it’s much more like the country blues of the band’s late-60s era. While they stay true to their rebellious rock roots, they’ve tempered with a tinge of wistfulness — as if their living room guitars drank too much wine.

The Mad Doctors - "Truancy Man" | Post-Trash Premiere

It’s been six sweaty years of fuzzy bliss for Brooklyn’s The Mad Doctors but it would appear all good things must come to end. The trio are calling it quits and we mourn the pending loss of a unique presence in Brooklyn’s punk circles, one that always remained a beacon for DIY, void of posturing and pretension.