Friko’s latest record is a searing reflection on the never-ending nature of life’s mysteries. The Chicago band finds hope in constant motion, fighting through uncertainty to chase contentment while battling the ambiguous nature of the unknown.
It would seem Josaleigh Pollett’s musical evolution continues on If I Let It Quiet, a fantastic record that embraces gorgeous art pop (leaning on the pop end to fantastic results) and soft focus synth experimentation. Due out on July 24th via Audio Antihero, the avant-pop album is deeply focused.
OTOBO’s doomer-prog ticks like a time bomb, and “iOpen” sets the tone for the Albany three-piece’s white-hot motorik punk LP Inside Machines. Today, we’re thrilled to premiere the ad-spliced, nature-prefaced video for “iOpen.”
Les Claypool is one of the most creative eccentrics of the modern era, and his latest album under the Claypool Lennon Delirium moniker does much to cement that status. It’s arguably the spaciest album of his career, and perhaps the best of his collaborations with Sean Ono Lennon.
On a rainy evening before their Chicago show in April, Telehealth chatted with Post-Trash about the state of Seattle, food delivery robots, and quitting the American dream to chase your own.
Barcelona-based Deaf Star make the shoegaze resurgence their own. Today, Post-Trash is thrilled to premiere “Dim Times,” the third and final preview before Deaf Star’s debut LP.
With melodies that stick like glue and a playbook for fluid grooves that split the difference between alternative rock, dream pop, and indie rock, Henry Grant’s music is swirling yet grounded. “Blue Circle Park” is a blissful look at the less than blissful privatization of public spaces in NYC.
Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.
Neptune’s Core have a bit of a “your favorite band’s favorite band” reputation in the Windy City, and we could not be more excited to be premiering their latest single and video “Lemon Car.”
With their debut LP Power of Now, Season 2 make their mark with a bouncy and explosive DIY-style that fully leans into a chaotic tangle of bubbling anxieties.
This Dismal Village offers an intentional DIY sound directed by first-takes. Moving away from digital editing and meticulous crafting, humanity is ingrained in Urq’s latest for Exploding in Sound.
Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.
My Wife’s an Angel’s latest is heavy, bleak, and oddly funny, but brilliant in its construction. Underneath the noise and degeneracy lay a deeply intelligent band, but it's never been clearer than on Keep Honking I’m About to Fucking Kill Myself.
With They Came Like Swallows: Seven Requiems for the Children of Gaza, Thurston Moore and Bonner Kramer not only fulfill a decades-long dream of collaborating, but pen a devastating lament for the thousands killed and displaced in the burning Levant.
Sydney Salk’s “Various Artists” returns to round up some of winter 2026’s best compilations and the causes they support, with choice picks from Brutus VIII, Little Wings, Bellcave, Ben Monder and David Tronzo, and HDPE.
Echoing between the past and present, Evergreen In Your Mind is a tender yet rarely fragile album. Juni Habel’s third record is a sophisticated piece of modern folk, equally rooted in the intimate and the psychedelic.
Robber Robber packs a lot into condensed packages. The band’s densely layered noise rock is both relentlessly harsh and impossibly catchy, and on their second album, they push the outer limits of density.
