Fuzzy Meadows: The Week's Best New Music (August 14th - August 20th)
PYNKIE - "Songies" | Album Review
ALBUM OF THE WEEK: Vangas - "Vangas"
The recent self-titled album by Atlanta band Vangas is a punishing and relentless record. From the first moments of “Chromatic Ascending” to the closing “The Handstand (Pt. 2),” there’s little room to breathe as the band tunnels through a hole of noise for 35 minutes, dragging you along amid some of the year’s most exciting noise rock.
Phil Spector's Gun - "Threads of Disloyalty" | Post-Trash Premiere
Philadelphia-based quartet Phil Spector’s Gun is making raw and riffy rock n roll music. Fronted by Kevin Brusha, alongside Charlie Bones (Mt. Mostly), Zack Bowan (Bad History Month), and Sean Clark (Curse Reverser), they’ve been performing live for a few years now, and their studio debut Highway 61 Exploded is due out 11/3 via BLIGHT. Records.
Consensus Madness - "Confined" | Post-Trash Premiere
Set to release their self-titled debut EP on September 15th via Iron Lung Records, the record provides the perfect soundtrack for a burning world, not necessarily embracing the madness but kicking against it. The quartet are watching the death and destruction of society with a balled up fist, setting a torch to polite expectations.
Allegra Krieger - "I Keep My Feet on the Fragile Plane" | Album Review
Night Witch - "Host Body" | Post-Trash Premiere
After a decade together, Tallahassee’s Night Witch have decided to call it quits, but not before they share a new record and embark on a farewell tour this Fall. That record, Host Body, is the band’s third full length, a blistering and brutal feminist hardcore record comprised of eight songs in just under nine chaotic minutes.
Black Country, New Road - "Live at Bush Hall" | Album Review
After losing their lead vocalist on the eve of a critically-acclaimed second record, Black Country, New Road emerged with a live album of new material pieced together and tested on the road; the show must go on and all that. The band have ditched much of the postmodern, hyper-referential songwriting on their earlier work in favour of fairy tales, half-remembered dreams and anthropomorphic animals.
Jungle Breed - "Machiavellian" | Post-Trash Premiere
Exercise - "Ipso Facto" | Album Review
Fuzzy Meadows: The Week's Best New Music (August 7th - August 13th)
Truth Cult - "Walk The Wheel" | Album Review
ALBUM OF THE WEEK: Helvetia - "The Beach At The Edge Of The World"
We can’t overstate the importance of Helvetia, a constant favorite for well over a decade. The impact of its sound and style, the structure, finesse (as well as lack of finesse), has left a profound impression on what this era’s psychedelic music can be. The Beach At The Edge Of The World is a prime example of Helvetia at its absolute best.
Mother Tongues - "Love in a Vicious Way" | Album Review
EXEK - "Welcome To My Alibi" | Post-Trash Premiere
After five increasingly fantastic albums, Melbourne’s EXEK have undoubtably staked their claim as one of this generation’s most forward thinking post-punk bands. Set to release The Map and The Territory on October 6th via Foreign Records, the band’s lush synth explorations continue to be dazzlingly muted but fully immersive.
Shalom - "Sublimation" | Album Review
The collaboration of Ryan Hemsworth’s (Quarter-Life Crisis) electronic music specialty and Shalom Obisie-Orlu’s emotional value produced Shalom’s incredibly solid debut album, Sublimation. The two are said to have “worked seamlessly” as the original seven tracks turned into Hemsworth’s encouraged twelve.
The Lentils - "Hello Jane Goodall, Are You Listening?" | Album Review
Gorgeous - "Sapsucker" | Album Review
Gorgeous is certainly one of the most interesting acts in the scene, a two-piece who has begun to twist the basic principles of math and indie rock, pulling the threads all the way until the seams reach their absolute limit. On a first listen of Sapsucker, what you’re most struck by is most likely the duality of angular guitar and crisp drums.
