Post-Trash Facebook Post-Trash Twitter

Fuzzy Meadows: The Week's Best New Music (April 4th - April 10th)

Fuzzy Meadows: The Week's Best New Music (April 4th - April 10th)

Welcome to FUZZY MEADOWS, your home away from home where we recap the past week in music. We're sharing our top ten favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web. 

Steakhouse Records presents "DBTS: BS3" | Post-Trash Exclusive Premiere

Compiled by Adam Kolodny and Jim Hill, BS3 features work from 10 different artists, some solo and some working as a group, all distinct and interesting in their own right.

Oliver Ackermann on Death by Audio, New York DIY and Starting Over

Oliver Ackermann on Death by Audio, New York DIY and Starting Over

49 South 2nd street was intended to be a practice/living space for a few people and to house Death by Audio, a budding guitar pedal factory founded by Ackermann. Of course, Death by Audio morphed into what many would argue was the beating heart of an entire artist community. Less than 10 years later, the location had become a hot commodity, and the spaces became no more. Death by New York. 

Fuzzy Meadows: The Week In Review (March 21st - April 3rd)

Fuzzy Meadows: The Week In Review (March 21st - April 3rd)

"Fuzzy Meadows: The Week in Review" is a weekly round-up of the best new music premiered this week across the internet. It's a weekly embarrassment of riches, let Post-Trash be your guide. It's the weekend, here's what happened...

Japanese Breakfast - "Psychopomp" | Album Feature

Japanese Breakfast - "Psychopomp" | Album Feature

Zauner’s songs are intricate, vulnerable and confessional, and the overall tone of the record is light and hopeful despite its heavy subject matter. Psychopomp as a whole is bewitching and as Zauner mends from her loss, the listener feels as emotionally restored as she does.

SXSW 2016: As Seen Through The Eyes Of Post-Trash Contributor Jon Hadusek

SXSW 2016: As Seen Through The Eyes Of Post-Trash Contributor Jon Hadusek

The official SXSW is a parade of PR, pomp, and glad-handing. Also terrible traffic. But on the east side, the original rock n roll spirit of SX lives on in seedy dives, co-ops, and house parties.

Puff Pieces - "Money" | Post-Trash Exclusive Premiere

Puff Pieces - "Money" | Post-Trash Exclusive Premiere

On their debut full-length, Washington, D.C. post-punk trio Puff Pieces brandishes wit and whimsy to inspect cultural phenomena like gentrification, wealth accumulation, and Sisyphean living. On “Money,” a throbbing two-minute nugget, Mike Andre’s lilting sing-song vocals highlight the parallels between autopilot living, financial needs, and boredom.

Fuzzy Meadows: The Week In Review (March 14th - March 20th)

Fuzzy Meadows: The Week In Review (March 14th - March 20th)

"Fuzzy Meadows: The Week in Review" is a weekly round-up of the best new music premiered this week across the internet. It's a weekly embarrassment of riches, let Post-Trash be your guide. It's the weekend, here's what happened...

Jawbreaker Reunion - "Haha And Then What ;)" | Album Review

Jawbreaker Reunion - "Haha And Then What ;)" | Album Review

The trio, comprised of Bella Mazzetti, Lily Mastrodimos, and Dre Szegedy-Maszak, rip through 9 songs in 20 minutes, relentlessly distorting, shredding, and rocking out. This is an incredibly fun album to listen to -- it pairs pop-songwriting sensibility with the perfect amount of “fuck you”, and truly could not be bothered to operate otherwise.

Jeff Buckley - "You And I" | Album Review

Jeff Buckley - "You And I" | Album Review

In the years since Jeff Buckley’s infamous drowning at the age of 30, his unreleased and unfinished work has seen light through a handful of posthumous collections. The announcement of yet another, You and I, came as no great surprise, but left many wondering how much of the singer-songwriter there could possibly be left to share. As it turns out, You and I is one of the most compelling releases of Buckley’s material – not for its complete or realized nature, but because of its palpable intimacy.