With a weekend tour kicking off on Saturday, Dover, New Hampshire’s Tiny Wine are back at it. The duo of Chri Milton and Vertro Ubretl return four years after the release of the Archer EP with new single “Replace It,” a humming piece of lo-fi indie rock about hastily filling voids that aren’t ready to be filled.
While her previous releases showcased her arresting voice and undeniable spirit, they feel reserved in comparison to the new record. LATE SLAP is teeming with life, in all its joy, heaviness, and whimsy. It’s teeming with music: beautiful, uncanny layers of voice, a menagerie of synth tones, guitar jangles, tasteful strings and enthralling melodies.
Adrianne Lenker is one of contemporary American folk music’s poets in residence. Between her song writing in Big Thief and her solo project, she manages to create worlds that feel so familiar, but then intertwine them with transcendentalist romanticism, rendering these views slightly more esoteric and impalpable.
Eighteen Hundred and Froze to Death are back at it again with Thirds, their new record, due out June 22nd. Written over what could be described as a strange few years for the world, the band’s corrosive structures are propulsive and delightfully off-kilter, but fully realized, the push and pull working in favor of their melodic core.
Mulva have released their debut album, Bitter Form, in which they seem both newly-transformed and yet more familiar than ever. It's just as startling and compelling of a new experience as you’d ultimately desire. It's about accessibility to themselves and to one another, being free to find a way to pull back or push forward.
Sweeping Promises’ powerful piercing vocals, grungy guitar, and oddly hypnotizing synth lines combine with the post-punk atmosphere to make this band unforgettable, leaving the listener with a lasting impression. The album deals with depressing themes, different forms of distress, yet the duo’s sound remains bright .
Naked Era, the sophomore album of Chicago indie rock artist Chaepter, is a shadowy and pulsing collection of songs. His debut for the Boston-based Candlepin Records is fraught with emotion and prairie-sized dread. Songs loom over you, closing in around you as you listen like a dense fog or hundred-pound weighted blanket of sound.
Vessel’s music is dynamic, bouncing through disjointed skronk one moment and intertwined in dense melodies the next. Led by Alex Tuisku, who handles vocals and drums, it makes sense that the rhythms and hooks are given equal focus, bright spots with a locked-in pulse that allows the rest of the band to flood the mix with any and all textures.
Ask Christina Puerto, Mulva’s singer and principal songwriter, and she’ll tell you there’s still power in the DIY ethos. Mulva’s debut album Bitter Form, just released via Sad Cactus, is testament to that power, a bombastic work of emotional resonance. Post-Trash spoke with Puerto about her unlikely musical journey and the people who helped her along the way.
Characteristically, The Collective is full of distortion albeit in a manner different from Gordon’s solo debut. The album is fully alive to our present moment. The hip-hop elements – the trap percussion, the heavy bass lines, the thick production quality – establish this fixation, proving once more that Gordon remains as forward thinking as ever.
Total Sham dropped their self-titled label debut on Under the Gun Records. It's antagonistic in the extreme; with the kind of hostility you'd expect from an exasperated python, darting around violently with no care for its surroundings. In much the same vein as their hardcore predecessors, they run on maximum amplitude.
floral print’s guide to practical living and magical thinking, due out on May 17th via the trifecta of Rope Bridge Records, Bee Side Cassettes, and Pleasure Tapes, finds the band making up for lost time with a swirling mix of ever expanding ideas, structures, and experimental pop songs that really knows no bounds.
