One of the highlights from Nightshift’s Zöe comes in the form of “Outta Space,” a track that drifts away from their core sound into something spacier, loungier, and more cosmic. It’s a perfect moment within the album’s framework, an early divergence that shows the band’s range in full disorienting beauty.
Century Egg know how to write songs that stick like a greasy cowlick in the morning, and their latest EP is a capillaceous pillar of joy-struck guitar rock that refuses to be combed back down. The Halifax quartet’s cross between punk, garage and Mandopop makes for some deliriously exuberant “rock and roll” music.
With Drool, the South London band seems to make the case that their early years were just a lead-up to the earth-shaking post-hardcore they’d produce in their second coming. The looser songs of the past have all but entirely been supplanted by the thunder-heeled, mid-tempo thumpers that always were Part Chimp’s real speciality.
Philly’s thriving underground scene has had as much of an impact on Steven Perez’s productions as salsa and merengue. On his latest effort, Dun Dun, he swaps colorful confidence for shy neurosis. Written over the course of 2020’s social upheaval, Pedazo De Carne Con Ojo’s newfound fixation with anxiety feels fitting for our times.
Cleveland’s Knowso have released two albums in the past year, both their full length debut, Specialtronics Green Vision and more recently, their sophomore album, Rare Auld Trip / Psychological Garden. While they’ve moved on, it seems they aren’t quite done with their debut’s lifecycle, sharing a new video for their song “Chosen One,”
Philary's LP Uh-Oh It's Me is a range of emotions, both complex/simple, as well as individually personal/broadly relatable. As such, the compositions reflect in a way that is plethoric, luxuriant, and colorful. Guitars weep and wail, drums thunder and lightning, and unwavering-yet-omnifarious vocals guide the ship across the terra incognita.
On their rambunctious and irreverent third LP Came Down Different, San Francisco punks Pardoner bring their noisy sound into focus. Hidden under their layers of feedback and distorted guitars are some damn fine pop songs. This time around, the trio allow the melodies to peak through their signature wall of sound a bit more.
Present Tense doesn’t have time for a meet and greet. It opens in media res; percussion bomb blasts, a gristling base, and snaring garage riffs and bloodshot vocals. If you know FACS, then you’re already home. Over the past few years, the Chicago trio’s annual dispatches have seen significant augmentation.
Body Breaks, the duo of Toronto’s Julie Reich and Montreal’s Matt LeGroulx have made good use of their time at home, working together to create their debut album, Bad Trouble. Due out on June 18th via We Are Time Records, the band take a microtonal approach to what otherwise might be endearingly referred to as “slacker” rock.
Sweep It Into Space was recorded at the end of 2019, featuring co-production by Philadelphia singer-songwriter Kurt Vile. Much like the four albums released on Jagjaguwar as part of their reunion, the band have dialed back the noise and chaos, without sacrificing the energy or the consistency in the quality of the music that’s been released.
Sometimes a record comes along that is felt, rather than heard. Chicago multi-instrumentalist Mia Joy’s debut album, Spirit Tamer, gently wraps around you, enveloping with its whispered invitations and ethereal ambience. The intimacy feels a purposeful creation on Mia’s part, not just as a result of the tranquil sonic template.
Whereas her previous two albums dealt with the grief and dissociation caused by the death of her mother, Jubilee processes all of Zauner’s emotion into an expression of joyous, utter feeling. It’s an affirmation of her life, of our lives, through collective experiences of triumph we share together. Simply put, it’s stunning.
The Leeds based quartet have released two phenomenal EPs and a single since their inception and now those kind gents have compiled all their releases thus far into one collection, Thankology. In celebration of the release, Thank are sharing a new video for “Commemorative Coin,” directed by Theo Gowans and Freddy Vinehill-Cliff.
It might be facetious to call Mesh a post-punk band. Much of this record sounds like classic scuzzy and snotty garage rock, particularly of the kind that grew in popularity at the start of this century. The whole thing is supremely infectious, filled with catchy choruses and thirstful energy; these songs are made to be danced to furiously.
The Power of Rocks shows a band that is willing to create whatever they want regardless of whatever is popular. All the pop sensibilities are there, and they are there in spades, but the band decides to take these sensibilities to create music with a bounce in their step, and it infects the listener to have the same sort of bounce.
Leopardo, hailing from Fribourg, Switzerland, are the latest addition to the stellar Feel It Records roster, adding their own seasoned blend of garage punk and lo-fi psych to the mix. Malcantone, the quintet’s third full length, bridges the gap between bands like The Stooges and early Brian Eno, with a gritty jangle and charming clarity.
