While David Settle’s (Big Heet, Ex-Breathers, Psychedelic Flowers) music has always veered closer to blown-out post-hardcore and noisy punk, his vast range of influences has positioned his latest project with a decidedly jangle-pop aura, one driven by the days of Flying Nun Records, Cleaners From Venus, and early Yo La Tengo.
Fuzzy Meadows: The Week's Best New Music (November 18th - November 24th)
Mister Goblin - "Is Path Warm?" | Album Review
Is Path Warm? is both an easy and interesting listen, an album of catchy earworms and Elliott Smith-esque intricacies. Acoustic ballads seamlessly wedge themselves between punky bangers with a softer edge. Regardless of the tonal feel of a track, the lyrical depth of each song provides food for thought beyond the intrigue of the music itself.
No Tongues For Quiet People - "Corridor" | Post-Trash Premiere
Realworld - "Green Room" | Post-Trash Premiere
Brooklyn’s Realworld are here to have a good time and they’d prefer if we’d all have a good time together with them. Formed last year by Kegan Zema and Mike Greene (both former members of Journalism), they come to us with one previous single (“Perfect Vision”) and a goal to create joy with upbeat, positive, 90s-inspired pop-rock.
Water From Your Eyes - "Somebody Else's Song" | Album Review
An imperfectly perfect pop record (or perhaps it’s a perfectly imperfect one?), Somebody Else’s Song subverts your expectations by changing itself from song-to-song, while maintaining its own distinct cohesive identity. It’s this willingness to throw a curveball that makes the record wonderfully cohesive.
Baklavaa - "Dsnylnd" | Post-Trash Premiere
Railings - "Shelving Pattern" | Post-Trash Premiere
Railings are Queens’ best secret. The reliably unbounded New York outfit have been keeping a relatively low profile since their first release in 2012, producing a singular sort of genre-mashing music currently populating backwater Bandcamp tags like “fatalistic flangers” and “ambitious cargo containers.”
Pinko - "Rats In Reverie" | Post-Trash Premiere
San Antonio’s Pinko have been immersed in the Lone Star State’s noise rock scene since their 2015 formation, releasing splits with Exhalants, Bummer, and New Primals along the way. After a string of increasingly tight recordings, the trio are finally set to release their full length debut, You and You on December 13th via Hex Records.
Fuzzy Meadows: The Week's Best New Music (November 11th - November 17th)
Cate Le Bon & Bradford Cox - "Myths 004" | Album Review
American Grandma - "Brennan" | Post-Trash Premiere
Pet Fox - "Rare Occasion" | Album Review
Long Beard - "Means To Me" | Album Review
Means to Me is a meditation on the notions of place and time. It was written after a series of upheavals in Bear’s life: uprooting to tour the country with Japanese Breakfast, then moving back to her hometown of New Brunswick, New Jersey to complete her degree, only to find all of her friends and past loves long gone.
Mount Eerie with Julie Doiron - "Lost Wisdom, Pt. 2" | Album Review
As is maybe to be expected, love and loss are at the very heart of Lost Wisdom pt. 2—while Phil Elverum’s late wife Geneviève is never mentioned by name, her presence lingers across every note. The album leans into its own contradictory nature, pairing spacious silences with hurried guitar drones and measured poetry with unbridled grief.
Furbie - "Butterfinger" | Post-Trash Premiere
Fuzzy Meadows: The Week's Best New Music (November 4th - November 10th)
They Are Gutting A Body Of Water - "Destiny XL" | Album Review
Fern Mayo - "Week of Charm" | Album Review
Week of Charm is the sophomore release from Fern Mayo, the nom de plume of Katie Capri, following 2015’s Happy Forever EP and one that delivers a fuller more developed sound. Capri’s debut was a mix of agitated guitar pop along with sparse semi-ballads, whereas this new release is filled with lush and wave-like atmospherics.
Ganser - "You Must Be New Here" EP | Post-Trash Premiere
Following Ganser’s 2018 debut record, we are pleased to premiere their follow up EP You Must Be New Here.The title for the EP is apt, as the listener moves across the various different versions of what a Ganser song can be. It’s a teaser, giving new listeners a taste in a digestible fifteen minutes.




















