Dusty Patches - "Filthy Four Track Machine I + II" LP | Post-Trash Exclusive Premiere
Fusing together hip-hop beats with fluid synth lines, Filthy Four Track Machine I + II, doesn’t exactly sound like the kind of self-indulgence of a man lost in his basement studio, but on one level that is exactly what springs to mind when thinking about the meticulous creation of these melodic experiments.
The Gold Web - "Acidchrist Superspice & The Candyboys" | Album Review
Daphne Tunes Discuss New Album "Volume 1" and Sunday Pop Songwriting | Feature Interview
Mind Spiders - "Furies" | Album Review
Uranium Club - "The Minneapolis Uranium Club Band Live At Arci Taun!" | Album Review
Given their quiet mystique, the news of a live album excited many fans of their rowdy, smartass brand of rock and roll. Thankfully, The Minneapolis Uranium Club LIVE at Arci TAUN!, a document of the band playing a compact 40-minute set in the small town of Fidenza in Northern Italy, perfectly showcases what makes Uranium Club such a unique group.
Post-Trash: Volume Three (Maria Fund Benefit) | Promo Compilation
Rick From Pile - "Work" (Boxfish Sessions) | Post-Trash Exclusive Premiere
Shopping - "The Official Body" | Album Review
Wooing - "In Colour" | Post-Trash Exclusive Premiere
Water From Your Eyes - "All A Dance" | Album Review
Fuzzy Meadows: The Week's Best New Music (January 8th - January 21st)
Bummerville - "C U Gone" | Post-Trash Exclusive Premiere
Porches - "The House" | Album Review
First Thought Worst Thought - "Cody" | Post-Trash Exclusive Premiere
Mezzanine Swimmers - "Black Cat In Heat" LP | Post-Trash Exclusive Premiere
Keep - "For Your Joy" | Album Review
Cool American - "17" | Post-Trash Exclusive Premiere
Freezing Cold - "Shape of Escape" | Post-Trash Exclusive Premiere
This past August, New York trio Freezing Cold quietly released their three-song demo, which saw the band as carving out a space somewhere between knotty post-hardcore and plaintive indie rock. Post-Trash is premiering the video for “Shape of Escape,” directed by Brendan McKnight and features art direction by George Stadnik.




















