Lee Ranaldo: 7 Vitals
This is Lorelei - "Holo Boy" | Album Review
VoidCeremony - "Abditum" | Album Review
Snoozer - Little Giants | Album Review
Snoozer have consistently experimented with their sound, which could be a reason Little Giants may be considered a staple album for all generations of indie sub-cultures. An airy ambiance is carried throughout the tracks by the EP's nostalgic synth, fuzzy guitar slides, and light-hearted take on the endless life changing cycles of good and bad.
Orcutt Shelley Miller - “Orcutt Shelley Miller” | Album Review
The Men - “Buyer Beware” | Album Review
Hélène Barbier – "Panorama" | Album Review
Port Ross - Nighttime at Gardner Hall | Album Review
Written during these years and beyond, Port Ross’s sprawling, flexible debut relies on instruments and stories from his Salt Lake City upbringing and 2023 move to Brooklyn. Nighttime at Gardner Hall grapples with family conflict, relationship trauma, and that financial struggles that bubble up as you set sail for adulthood.
Maneka - "Bathes and Listens" | Album Review
The New Eves - "The New Eve Is Rising" | Album Review
Oruã - "Slacker" | Album Review
Nyxy Nyx - "Self-Titled" | Album Review
Maraudeur - "Flaschenträger" | Album Review
Nick Drake - "The Making of Five Leaves Left [Box Set]" | Album Review
It took years for listeners to rediscover his work, but today, Nick Drake is celebrated and frequently cited as one of the greatest songwriters of his era. Drake’s new box set is more than a collection of studio sessions, a book, and a remastered album. It is an invitation into the mind and private world of a singer-songwriter who remained unwaveringly true to his voice and style.
Thirdface - "Ministerial Cafeteria" | Album Review
Greg Freeman - "Burnover" | Album Review
Sorry - "Cosplay" | Album Review
Merzbow & Akio Jeimus - "Any Other Utterance" | Album Review
Merzbow has always been unafraid to delve into music’s harshest, most desolate corners, often creating a profound meditative state. With Akio Jeimus, the pair present a different face of improvised music – the “contained,” hermetic chaos of the studio, and the new feral life such pieces take in live settings.















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