Despite marking the debut of one of the most influential rock bands of their generation, Queens of the Stone Age’s self-titled first album didn’t blaze a bold, new trail. Instead, the 1998 release built an off-ramp connecting a remote stretch of desert highway to a skeevy dance club, where Josh Homme could take residence.
Perennial - "Art History" | Album Review
Perennial are back with a new offering of danceable tunes, a stronger connection to the studio as instrument, and a newfound finesse. The operating principle is something like “simplicity is a virtue,” and they’ve honed in on a raison d’etre over the course of their LPs: art for the sake of it, for your enrichment and your connection to the world around you.
ALBUM OF THE WEEK: Lily Seabird - "Alas,"
Shannon and the Clams - "The Moon Is In The Wrong Place" | Album Review
Shannon and the Clams pull from the past to create music that's different, the vintage twinge reminiscent of many 60s girl groups, and an almost rockabilly sound while still allowing it to feel fresh and new. It feels like stepping into the past, yet it still incredibly innovative, a time capsule and love letter to their classic rock influences.
The Spatulas - "Beehive Mind" | Album Review
The Spatulas are the project of Miranda Soileau-Pratt, an artist equal parts poet and bandleader. Their debut LP. Beehive Mind, is an exercise in space and subtlety, at once unassuming and arresting. Upon first encounter, the music feels twee and almost cutesy, but it does everything it can to resist these monikers.
Thinking Fellers Union Local 282 | "The Funeral Pudding" (Reissue)
The Funeral Pudding reads like a diary, a byproduct to San Francisco’s sprawling art scene in the late 80s and mid 90s. A composite tapestry of clunking drum beats, shuddering mandolins, and tinkering banjos, the band exudes buzzing, droned-out showers of spontaneity, demonstrating their affinity for improvisation and experimentation.
ALBUM OF THE WEEK: Caroline Davis & Wendy Eisenberg - "Accept When"
Unknowing has never sounded as free as it does on Accept When, the new record from Caroline Davis and Wendy Eisenberg. The duo confidently dis- and reassemble the paths of their music without worrying about the destination. They rely on each other and all they bring to the table, rather than individual experience.
Special World - "Special World" | Album Review
Gabriel Birnbaum - "Patron Saint of Tireless Losers" | Album Review
Gabriel Birnbaum's second "true" solo album, Patron Saint of Tireless Losers, finds him looking inside himself. He mines melodies of early California psych and singer-songwriter observations, combining spiky rock with gentle examinations on purpose and connection. His songwriting is a unique strength, trawling the depth of human nature.
Full of Hell - "Coagulated Bliss" | Album Review
My Best Unbeaten Brother - "Pessimistic Pizza" | Album Review
ALBUM OF THE WEEK: Goat Girl - "Below The Waste"
Goat Girl’s third album Below the Waste is their first as a trio, but they’ve developed a sound that might take upwards of ten musicians to recreate, where folk textures and gorgeous harmonies are polluted by a sludge of dreary post-punk. It runs a hefty sixteen songs and with this there’s variety and experimentation in spades.
Habibi - "Dreamachine" | Album Review
New to Habibi’s highly regarded catalog is the visionary Dreamachine – an embodiment of maturity and self-exploration. The Brooklyn band return with a softer and more melodic groove, letting us in with more vulnerability than ever before. They present a different side of their sound, giving room for a sonic evolution and greater depth.
Crumb - "AMAMA" | Album Review
Bar Italia - "The Tw*ts" | Album Review
Neutrals - "New Town Dream" | Album Review
In 1946, the New Towns Act was passed in the UK, and in 2024, the Bay Area jangle-rockers Neutrals released New Town Dream, via Slumberland / Static Shock Records. It might seem strange to think that something that happened 77 years ago and over 5,000 miles away could lead to a new album, but stranger things have happened.
Lightheaded - "Combustible Gems" | Album Review
ALBUM OF THE WEEK: SUMAC - "The Healer"
The scope and grandeur of The Healer begs comparison to an epic novel or a film auteur’s masterpiece making it impossible to distill its essence into one catchy tagline. Which is the point. At 76 minutes, it’s oceanic, a leviathan of tones, tempos, and motifs which run the gamut of improvisational noise, sludge, meditative pastorals, and some straight-up heart-palpitating riffs.
Amiture - "Mother Engine" | Album Review
“I know my shit is pure” are the first words echoed across Amiture’s second LP, Mother Engine. They pierce through the mix like a spectral echo past the driving beats and sleazy blues licks. It’s a statement of intent, the band's “shit is pure,” it’s a unique vision of trip-hop a world away from the dancey post-punk of their debut The Beach.
Luxury Apartments - "Luxury Apartments" | Album Review
After some years working the London venue circuit, their self-titled debut album is finally here. It has certainly prompted anticipation, as the band is now tasked with differentiating themselves from scores of other bedhead-riddled punk bands. The methodology behind it all is simply a case of taking things back to basics.