Their sophomore outing builds on the intimate soundscape they introduced us to in their 2016 debut LP Sunless. The vibes are almost mystical; the synth-heavy beats that permeate each track manage to find their way into every nook and cranny of your memory.

It seems after three stunning records, Tuttle is once again a free agent, and he's testing those waters with "Twilight," a new single from his next album, though those are about all the details currently know as the future is wide open.

On their debut self-titled album, Dusk, take us on a trip back to some folk inflected roots via the garage and a bit of a punk spirit. There’s a bit of an older feel in many ways to this record and there are moments that recall a bit of Gram Parsons-esque classicism.

This summer the band will release their full length debut Heaven On The Rocks via Gold Robot Records, a record built for the season with it's hazy surf melodies and light psych pop exploration.

Bay Dream thematically recalls the work of fellow West Coasters and recent collaborators Wavves, as it’s rife with feel-good stoner comedy relationships set to addictive pop hooks made possible by The Beach Boys.

It twists and turns, peels and scrapes, and the animated video is an incredible visual representation of all the glorious (often gross) mayhem at hand.

Tower of Ten Thousand Miles is the first proper full-length from the Montreal quartet, and their most impressive release yet. On their latest, Doffing deftly recall some of the finest post-hardcore, indie rock and punk of the past 20-something years.

As Mezzanine Swimmers head out on the road with Dean Cercone, we have the premiere of the "Cinnamon Gurl" music video, directed by Conrad Burnham of International Winners.

Paired with spare acoustic guitar, the end result is reminiscent of all things Phil Elverum, with whom Johnson shares an almost uncomfortably intimate delivery.

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Snail Mail — spearheaded by 18-year-old Maryland native Lindsey Jordan — has come out of the gate running with a debut offering in the form of Lush. Jordan, the perfect example of the new breed of DIY performer, straddles the line between feeling mundane and personal in this record of youth in transition.

The solo project of Thrin Vianale, their songs and gentle but never broken, sparse but fully realized. Schwartz Goes To Heaven is a stunning album built on gorgeous melancholy and a knack for surprises.

The lyrical content has the trajectory of radical traditions in philosophy: the recognition of humanity’s deep seeded flaws, the transformative possibility of human potential, and the imperative to live this finite life ethically and with passion right now.

The New York trio’s follow-up to 2017’s Bye Bye Berta expands on their scribbled notes on tune arrangement, deconstructing pop into their own contorted delivery of lo-fi flings. Roach Goin' Down presents 22 songs that flail with an on-the-spot schizophrenia of ideas and movement.

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Combining the raw, aggro approach of Wipers with the hyper-elated vivacity of The Replacements, Big Bite adopt a full-throttle punk approach, composed in tangent with scrappy DIY ethics.

It's a tremendous video that captures the character driven spirit of Longface via a psychedelic journey on a bunny (or at least a bunny at heart). The feeling is somewhere between sinister and carefree, a space the band's music rests comfortably in.

Their latest self titled LP flows with upbeat and jangly melodies accompanied by themes of self discovery, relationships, and the need to be loved and seen.

Impressive drum fills backdrop hypnotic melodies, and over time the group find calm in the center of this chaos, only to tear it all down moments later, concluding the track with a stop-start, free-jazz freakout.

The Alligator Bride is the fifth release of the Ethan Miller led Howlin Rain, and it may be the bands most reigned in and tightened up record, or as reigned in as Howlin Rain can be.

Last year Cincinnati's Smut released their full length debut, End Of Sam-soon. It's a resilient record that trickles with the best parts of shoegaze and an undercurrent of fuzzy power-pop. In celebration of their upcoming dates, the band are sharing a new video for Sam-soon stand-out "Rosewater".

Introducing Trouble In Mind’s latest addition, Ethers, who are releasing an album that’s dirty and gritty and ready to be the soundtrack of out-too-late-on-a-Tuesday Summer nights. The four-piece features members from Radar Eyes, Outer Minds, and Heavy Times.

Blank Space contains some of his most stripped-down and beautiful recordings yet. Recorded with what sounds like a four-track, there is a gentle warmth that permeates throughout the record.

Pllush has pulled together their best elements, added pop sentiments, and made their best album yet all because of it.

Leaning heavily on Joe Gaudiana's knack for warped psych slithering its way into otherwise jangly pop, "Montreal" is energetic, full of delicate harmonies, and layered with fun.

With a consistent sound and a no-frills approach to presentation, the Chicago quartet’s self-titled debut album proves the hard work has finally paid off.

Based in the heart of the DIY scene in New York City, Poppies creates a fuller and more buoyant sound while sticking to their DIY roots in their 2017 release–– the Good EP.

Back in January, Winters treated us to "The Future District," a solo effort that stripped everything back and confirmed what we all knew, she's a gifted songwriter in any capacity, context be damned. That song has since been mysteriously pulled from Bandcamp, but we're happy to present it once more.

Building on the rubble of It’s Always Something… their latest EP, Would You Rather? is an exercise in venting and escaping. It takes the fences and barriers they’re faced with, and obliterates them with an atom-bomb of pure aggression and unprocessed audio.

The emotions to be felt in High Pony's sophomore album Nothing Here Is Mine are unwound and rampant with anxious energy. There's nothing tidy about it, the band are taking the backseat and letting everything spill out.