The Boston quartet have built a reputation over the past few years for their annihilating mix of grunge, deranged noise rock, punk, sludge, and thick menacing distortion. 

Although Sun Organ’s particular brand of fuzzy dream punk is contributing to a larger, already established scene, People In The Distance In The Dark gives a glimpse into Sun Organ’s moodier visions, ultimately setting them apart from the rest of Philly’s dreamers.

It might seem counter-intuitive to release such a dark record in June, but for those who enjoy it best when the sun is down, Somewhere is an album that will reveal hidden gems time and again.

The wisdom that Morby has gained from traveling the world, experiencing new cities, new cultures, and new ways of life is brazen, and it directly reflects his abilities as an artist. Much like Neil Young, Morby has the aptness to make consistently solid music, and gives himself plenty of growing room.

One is a difficult record to talk about without talking about all of it, a testament to it's many brilliant twists and turns. The cavalcade of sonic brilliance never ends and it never sits still

Psychic Drift, the group’s fifth full-length, explores the darkest recesses of electronic technology, swapping out spasms of cavernous no wave for claustrophobic loops of sinister dial tones averaging ten minutes a piece.

Post-Trash had the chance to talk to Buzz Osborne back in January about Colossus of Destiny: A Melvins Tale, Crystal Fairy, the Melvins longevity, and more. In a most un-Melvins way, we're just now getting around to sharing the interview.

Little Missionaries punctuates its ending in its self-containment while still allowing us to dream for a while of the new places Cathcart is assuredly working up. 

Whenever it seems as though a song by Palm is going to head in a certain direction, it slaps you in the face and invents a new direction. Any potential listeners looking for a sense of familiarity or predictability should be advised to look elsewhere as this is not an album for them.

Pouring with even more melodic riffs and surfy chimes, Hoops kept their best sounds from their previous releases, but seemed to have put in more vigor and advanced songwriting this time around.

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Katzman's DeGreaser are bringing back the shred, one explosive dueling guitar solo at a time, tearing through "Arrival" from start to finish as they burn a path of fun-loving destruction in their wake.

Though Woods continues to appease Rap Genius scholars with his juggling of mismatched cliches, decontextualized audio samples, and left-field pop culture references, Known Unknowns proves another 60 minutes of mono-enunciated Woodspeak meticulously crafted and entirely pertinent to more complex conversations on being a minority in America.

“Petri Dish” presents Horse Girl in their jangliest form to date — the main riff is reminiscent of so many excellent records of late, but finds a fresh tone when paired with the prescient lyricism of the song. 

Two Inch Astronaut have once again crafted an album that can be listened to for years to come.

Pichardo-Espaillat brings the song to life with a never-ending animated series of abstract designs, flowing from one scene to the next in time with Operator Music Band's super tight groove. Drawing inspiration from the 80's, the digitized design and morphing patterns are hypnotic while continuously evolving.

Palehound offer listeners dealing with such problems of loss and mental anguish a comforting and sympathetic place to which they can always go.

In the context of Confetti at the Bottom, “Ashtrays at Graceland” is the pin that bursts the mounting bubble of tension

Capacity exposes the vulnerability of front woman Adrianne Lenker, as it dives into the pits of her childhood, all the while complimenting her growth and abilities as a musician.

With Somersault, the band continues to dig into the coast without actually being completely present there mentally or physically. They continue to make waves and show how refreshing it is to step away from the beach once in awhile.

Chastity Belt’s third LP, I Used To Spend So Much Time Alone, is their best effort yet, expanding upon the distinctive sound and ethos that have defined their records thus far by diving deeper into the headspace that so distinctively infiltrates their music.

The songs that make up II feel like your very worst nightmare, one based in isolation, anger, and fear. With riffs fluctuating between incredibly nauseating and undeniably awesome, Glued have taken a recognizable sound and forced it to implode

Today, we have "Grodelo," the first taste of Nice Guys' side of an upcoming split 7", a distorted blast of subterranean garage-punk that oozes with an ocean of grime and sleaze... which is to say it's Nice Guys at their best.

Eisenberg’s melodic contours extend outward before pulling back in then curving unexpectedly elsewhere. Each song imagines and scopes out a slight thing—be it an object, person, or event—then recapitulates up and out to a much larger cosmic range.

Usually, first rate nihilism doesn’t thrive in that sunny a locale and their new video for their song "Theatre of Lunacy" plays on that as Stanley Martinez wanders around a cemetery in vampire getup, holding balloons, in the middle of the day. 

Tallahassee post-punk outfit Big Heet’s latest 3-track demo, Yellow Badge, showcases the group’s unique brand of anxious instrumentation, seasoned punk finesse, and political values. 

The whole album is quiet and soft, a thoughtful guitar-driven rock album to listen to in a hammock, by the pool, or another relaxing summer activity.

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.