Pile – "Sunshine and Balance Beams" | Album Review
Pariah Dog - "Bitter End" | Post-Trash Premiere
Theadoore - "Fool's Errand" | Album Review
Kontusion's Liquid-Meal Recipe for Despicable Death Metal | Feature Interview
Buddie - "Stressed in Paradise"
McKinley Dixon - "Magic, Alive!" | Album Review
Magic, Alive! is a refreshing shift towards the way McKinley Dixon expresses himself and his emotions, involving the wonderful magic of stories and the poignant lessons that slip within them. Not only does it confront harsh realities, it also keeps memories alive, and turns them into lessons that enrich our very existence.
Out This Week | Post-Trash Highlights
Asher White | Feature Interview
Asher White’s music is tracked on canvas with broad strokes, layers, accents, and delightful blends of influence and genre. 8 Tips is remarkably cohesive and hints at the artist’s genre-less future pop. Post-Trash spoke with Asher White about the influence of the Chicago noise scene, a teenage acid trip, concurrent apocalypses, and her Joyful Noise debut.
Pharaoh Overlord – “Louhi” | Album Review
Edith Frost - "In Space" | Album Review
Why Bother? - "Indoctrination" | Post-Trash Premiere
Screaming Trees - “Clairvoyance” (Reissue) | Album Review
Deftones - "Private Music" | Album Review
James K - "Friend" | Album Review
Jeanines - "How Long Can It Last" | Album Review
Otis Shanty - "Lowballer" | Post-Trash premiere
Paper Castles - “I’m Sad as Hell and I’m Not Going To Fake It Anymore” | Album Review
Buffet Lunch - "Perfect Hit!" | Album Review
The Edinburgh/Glasgow-based project has teamed up with Upset the Rhythm for an album that is less new wave and more rocking than last year’s model, yet still with the same levels of zaniness. This record is an all-you-can-hear feast of frizzled and frazzled erratic guitar-based slacker rock madness.
Mclusky - "The World Is Still Here and So Are We"
With this record, Mclusky suggest that writing songs isn’t about inventing a narrative but writing the best songs possible. The World Is Still Here and So Are We is a monument to constant process, outdoing others because you’re trying to out do yourself, but also a document of a fully locked in Mclusky – no second guessing, eager to jump the gun, and too good to miss.