Un-becoming arrives on the heels of J. Robbins’ old band Jawbox’s reunion and was recorded in the cracks of work, family obligations, and between rounds of video game sessions with his son. Does this mean that Robbins, now straddling the line between musician, producer, and father, has strayed from punk and into the feared territory of “dad rock” on his new record? In a word, no.
Double Grave - "Ego Death Forever" | Feature Interview
Glued - "Cool Evil" | Album Feature
COMPs Discuss "Life as a Baller," Recording, and What Comes Next | Feature Interview
Writer's Workshop: Wayne Kramer of the MC5 (and the MC50) | Feature Interview
Asked if he minded discussing some of the gory details of his career and his new autobiography, The Hard Stuff: Dope, Crime, the MC5, and My Life of Impossibilities, such as a long and tumultuous struggle with addiction, snafus with the law, and the ups and downs (mostly ups) of getting sober, Wayne Kramer laughed off the question as if it was absurd.
Blacker Face is a Challenging Project, and That’s the Point | Feature Interview
Dissecting Gouge Away with Vocalist Christina Michelle | Feature Interview
GRLwood Isn’t Here For Your Labels | Post-Trash Feature Interview
Dead Tooth's Zach James Explores "Still Beats" and New Beginnings | Feature Interview
See My Friends Records Discuss Portland DIY, Safe Spaces, & Keeping Prices Low | Feature Interview
Portland, OR based label See My Friends was started in 2016 by Stevie Pohlman and Vince Skelly, and quickly became one of the most exciting labels in the NW with full lengths by Mope Grooves and Honey Bucket, a series of short run compilation cassettes, and tapes by acts like Lithics and Conditioner.
Clearance Finds "Leisure" | Post-Trash Feature
The Encyclopedia of Craig Wedren | Post-Trash Feature Interview
A to Z: The Encyclopedia of Craig Wedren, sheds light on Craig’s multi-faceted music career - spanning across his solo career, television and film soundtrack work, and of course Shudder to Think. He is a true musician’s musician and one that everybody who loves music as a craft should know a lot more about.
Tundrastomper Discuss The Creation of "For Steffen Only" | Feature Interview
Night Witch - "Who's Next?" LP | Post-Trash Feature
Wildhoney Discuss Their Favorite Slumberland Releases In Celebration of "SLR30 Singles Subscription Series" | Feature Article
Late Bloomer - "Waiting" | Feature Interview
Long Beach's Struckout Share Spotify Playlist feat. Hot Snakes, Sleep, Media Jeweler, & More Ahead of New Album
Religious Girls - "Power Pt. 2" | Post-Trash Premiere
On The Assembly Line: A Glimpse Into The Making Of Scaphe's "Factory Gleam" | Feature Interview
The Circle of Punk: A Chat with Red Hare's Jason Farrell | Feature Interview
Ferrell speaks much as he sings -- at a considered but somewhat irregular rapid morse code-like pace. When accompanied by music, his voice is infused with a palpable sneer, somewhere between Kathleen Hanna and James Hetfield when he gets really sassy. In conversation though, he is earnest and focused.