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This Is Lorelei - "EP #21" | Album Review

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by Conor Lochrie (@conornoconnor)

The relentless and prolific Nate Amos, the curious mind behind This is Lorelei, is back yet again. Absence might make the heart grow fonder but so does having releases from an artist like this every couple of months. A true Bandcamp artist, his latest work, EP #21, is another shape shifting piece, fluctuating between indie rock, psych, even pop. Although genres don’t really matter here: it’s all about the inventive tone and fascinating rhythm that Amos seemingly conjures effortlessly. 

This solo project (he’s also in Water From Your Eyes and My Idea) feels like a true creative endeavor: there is no relenting to marketability and it’s healthier for it. It’s messy and convoluted but somehow all comes together to provide a picture of Amos the Artist. Surprising strings spring up in the opening track “Trash Can Now,” followed by Amos’ warbling and warm vocals. “Smokin” follows with a crash and a bang, far more thunderous and stomping rock. “Grill” is anxious and jittery, the earnest acoustic guitar carrying the song tremendously. “Super Rich Girlfriend” is then sweet pop that recalls the most endearing work of Jeff Tweedy, chugging along supremely pleasantly to its conclusion. 

It’s Amos’ lyrics and delivery that really intrigue on EP #21. It’s almost like a performance piece, appearing both intricately constructed and chaotically carefree. Utilizing a subtle talk-sing combination, when he gives into essentially rapping in “Grill,” his flow is catchily impressive. The lyrics in the tracks pour out like a spoken word monologue, Amos sometimes doubling back on what he just said, thoughts sometimes appearing from nowhere as his mind wanders. It’s silly and inconsequential but you can’t help but be drawn into this inquisitive mind. 

It doesn’t really matter if this EP doesn’t appeal; another This is Lorelei release will be along in a minute. When an artist makes such a consistent amount of music, it’s not always going to land, but Amos’ strike rate is still notable. As This is Lorelei, he’s creating eclectic and electric works, full of subverting layers and nuanced textures. Long may his experimentation continue.