by Patrick Pilch (@pratprilch)
Cordoba is a group of politically and socially driven individuals committed to radical social change in resistance to the oppressive systems in place. The six-piece jazz fusion group was brought together inside the walls of the University of Chicago, but has since breached the bubble of higher education by connecting with like-minded musicians in DIY spaces and taking part in direct organization work within Chicago communities. Cordoba has had a steady output since 2016, and their stunning debut LP only further cements their status as one of the best working bands in The Windy City.
Specter arrives in the midst of global hysteria. Cordoba’s first full length is the sound of the walls caving in, when the levees start to break. The album serves as witness to the deluge of gentrification and displacement, underfunding and over-policing; it’s undoubtedly an apocalypse record. While Cordoba predicts what the future may hold once we’ve reached the rubicon, it’s hard not to wonder if we’ve already passed it.
Specter is as much a reflection of the present as it is a premonition of the future. The back-to-back “Ghosts” tracks offer perspective to those who continue to choose to look away from systemic racism and injustice. “You don’t see into, you don’t you don’t/The present I live, you don’t,” Brianna Tong sings, “never stopping for any touch of pain/Never hearing the words we say.” America is built on graves upon graves, embracing its colonial patterns which hold zero regard for human life and instead prioritize production and capital over the basic welfare of its citizens.
“Factory” takes on new meaning in the wake of COVID, as the government refuses to provide reprieve for workers deemed “essential,” offering a measly check in lieu of substantial aid to prevent the spread of disease, poverty and death. “I work at the factory, that means perfection.” A fucky cog? Toss it. Heave the broken widgets back into the rising seas. The track is fluid and driving - it feels like the sum of all parts working together. Zach Bain-Selbo’s atmospheric keys and Eric Novak’s brass and woodwinds punctuate Zach Upton-Davis’ steady drum fills and Khalyle Hagood’s propulsive basslines. Once the Kaia String Quartet enters, the track becomes a smooth transition into the “Mutual Aid” instrumental.
Cordoba’s forward-thinking jazz serves as the foundation for the band’s cinematic elements of hip-hop, soul and punk. Their distinct stylistic fusion is like a sonic watermark, as each member spins their own influence into their dynamic blend of captivating grooves, passionate lyricism and striking improvisation. Guitarist and primary songwriter Cam Cunningham pulls hints of pop and hip-hop into Cordoba’s jazz-inclined arrangements, while Brianna Tong’s vocals layer R&B melodies over the band’s tight and nuanced instrumentation. Specter unravels over the course of its eleven tracks, chipping away at the injustices it seeks to critique. It’s an alarming record, but an important one, capturing the ghosts of the present, future and past.