Earlier this year Nape Neck released a self-titled collection, pairing together both their first full length and the Look Alive EP. It’s a wonderful place to start for anyone looking for a good rattling, and thankfully, they’re back for more with new album The Shallowest End, due out on September 19th.

Post-Trash’s John Glab covers Washer and Ovlov’s blistering, highly anticipated San Francisco sets on Ovlov’s first West Coast tour.

Post Trash’s Giliann Karon chats with Samira Winter about perpetual tour, inspiration in collaboration, and Adult Romantix, her fifth album as Winter and first on new label home Winspear.

On a second album of bedroom hypnagogia, Nourished by Time’s Marcus Brown channels the occult and the psychedelic for his most expansive, ambitious undertaking yet in the form of The Passionate Ones.

Jobber to the Stars tops the New York band’s very impressive entrance that was the Hell In a Cell EP, as they show off their deep repertoire of moves that will have you gasping for air. Jobber have assembled a record that is fresh and memorable, full of energy and passion that can’t help but burst out of the speakers.

A weekly post highlighting but a few of our favorite new releases in splendid alphabetical order, brief and (hopefully) informative. There’s a lot of great music out every week and these are but some of the many we think you should check out.

Bay Area band Slake have carved out a wry sub-sub-subgenre called "lesbian doom folk.” Their debut Let’s Get Married is a controlled experiment. Marriage is often fleeting, but records like this diamond are forever. Slake’s Let’s Get Married firmly belongs in the latter category.

RNIE is Lamont Brown, a Philly-based artist and music maker. His sophomore LP FULL NEPTUNE is inspired by all things late night Y2K — PS2, Toonami, and a healthy dose of breakbeat. Today, Post-Trash is excited to premiere the video for “20K,” which Brown directed himself.

Of the many guises that Yo La Tengo have acquired over the course of their four-decade-plus career, their occasional role as soundtrack composers has been a natural assignment. Like the film, Old Joy is a stripped down, minimalist affair. Most importantly, it moves the narrative along in a way that images alone cannot do.

Post-Trash’s Kurt Orzeck chats with Chicago’s Stress Positions about the band’s beginnings, their motivations, and their excellent new EP Human Zoo.

Time Thief is the new project from Zoe Wyner (halfsour) and James Walsh (Dump Him) out of Providence, RI and we are proud to premiere the video for their latest single “A Brief History of Ordinary Let Downs” off their upcoming self titled debut EP

Five years after the release of their self-titled LP, Teethe return with an expansively contained followup of profoundly melancholic southern slowcore. Magic of the Sale is a fleeting feeling that you can only hope to hang onto.

Understanding’s Shmutz-directed video for “Flesh is Word” captures the Toronto four-piece in reflections, on a jungle gym, and along the shore. It’s an easy, breezy, keys-forward number, and the lead single from the band’s forthcoming debut the joy of living.

Bleary Eyed’s third full-length album, Easy, is here. Released July 25th on Born Losers Records, the band has pulled the sound of shoegaze even closer. Easy dawns a broad range of intergalactic sounds, bending, stretching, and exploring the proverbial space dust of the far-reaching universe. 

A weekly post highlighting but a few of our favorite new releases in splendid alphabetical order, brief and (hopefully) informative. There’s a lot of great music out every week and these are but some of the many we think you should check out.

Post Trash is excited to premiere a new cut from Allston based “Farm Emo” band Tiberius. The project is back with their second single “Felt” from their upcoming album Troubadour, a thrilling cross section of emo=gaze and alt-country.

The Japanese psych-rock act Les Rallizes Dénudés is a cult band for which there is much to discuss, albeit with little verifiable information to go by. YaneUra Sept. '80 is a four song EP lasting just over 40 minutes that distills the improvisational essence of the band. It is a perfect entry point for new listeners. 

“Spectres” is the record’s fouth single, a song aimed for spooky season, at least in terms of how we wrestle with the events of our past and the trauma that can linger. Street Eaters dig into their post-hardcore influences, pushing and pulling in all directions like a ghost with sifting through a colander.

Post-Trash’s Sydney Salk chats with Uranium Club’s Harry Wohl about Harry Sings!, his solo project of shimmering folky experimentalism. Wohl has gathered songs from his stay at a Woodstock artists colony in 2023 on Christie's Toy Box, the inaugural release from Philadelphia label Blushing Grinning.

Nottingham’s No Peeling spent Christmas Eve recording S/T, their upcoming Feel It Records debut. Christmas came early, because S/T is the gift that keeps giving. Today, Post-Trash is thrilled to premiere the lead single, “Can I Pet That Dog?”

Ryan Davis & the Roadhouse Band’s New Threats from the Soul isn’t just a collection of voluble country rock songs; it’s an entire psychic and existential landscape that’ll damn you and reveal you, and catch you sniffing for the transcendent down in the muck and the weeds.

A weekly post highlighting but a few of our favorite new releases in splendid alphabetical order, brief and (hopefully) informative. There’s a lot of great music out every week and these are but some of the many we think you should check out.

The Kentucky three-piece have once again delivered an album that is worth all the time their audience is willing to give to it. Wombo’s latest demands full attention and will take you to foreign spaces that will open up a thrilling dream world.

Horse girls, poetry bros, and introspective circumlocutory overthinkers rejoice: Billie Marten’s fifth studio album Dog Eared is for looking out of car windows, yearning quietly, and laying on the floor as you ponder the slow passage of time. 

Boston slowcore project Clifford infuses an array of influences with bone-dry distortion. The range of their languidity makes for a compelling take on somewhat familiar indie territories without any gaps in Golden Caravan’s tracklisting.

Post-Trash’s Giliann Karon speaks with John Galm on reunion culture, his heroes and inspiration, and his excellent new solo record River of Blood.

Oldstar’s latest project is a focused, heartfelt country rock record and a studied approach to refashioning country music. Of the Highway, for all its attempts at getting out, knows where it came from.

A weekly post highlighting but a few of our favorite new releases in splendid alphabetical order, brief and (hopefully) informative. There’s a lot of great music out every week and these are but some of the many we think you should check out.

Los Angeles-based punxsutawney speak about their music as well as they play it. With little effect on the dueling guitars besides reverb and overdrive, Untitled avoids the stylistic trappings of post-rock projects that came before them, carving their own path in the genre.