Chat Pile have made an album that’s as terrifying to listen to as it is deeply lyrically unsettling. To call the bowel-loosening low end of God’s Country the century’s sludgiest is not hyperbole; they deploy a lethal arsenal of detuned sonic bombardment that is nauseating, beautiful, punishing, an ideal foil for the ravings of Raygun Busch.
Following their 2019 album, Up from Here, Detroit’s Extra Arms have returned with the aptly-titled follow-up, What Is Even Happening Right Now?, with Ryan Allen and co. pulling out all the stops on this one. Allen and Daniel Stover answered some questions about the album’s fruition from writing to recording in a time of social distancing.
Never slowing down, their fifth album, Hologram, is on its way, due out August 19th via Feel It Records (Why Bother?, CLASS, Green/Blue), picking up where last year’s Power Station left off. The band’s nervous and taught brand of synth punk is definitely heavy on the punk and post-punk side of that description, keeping a terse edge and hypnotic din.
An undeniable electric current runs through the music of Mapache, the LA-based cosmic folk duo comprised of songwriters Clay Finch and Sam Blasucci. Their fourth album, Roscoe’s Dream, is their most fully-realized release to date, a sprawling opus that captures the coastal bohemian charm of their distinct California sound in its purest form.
Following 2019’s full length debut, Throwaway return with Hand That Takes, out now via FPE Records (The Miami Dolphins, Yea Big, Kamyar Arsani). It’s an album that’s bizarre but bizarrely focused, highlighted through the many jumps and skips in overall tonality, pulling at straws to keep it interesting on their way down into the depths.
There’s no denying the cult status Park has grown over the past few years. A status so remarkable, it captured the attention of acclaimed independent label Get Better Records, who chose to release Pictoria Vark’s debut LP The Parts I Dread. On it, she does nothing but deliver one of the best indie rock debuts of the year.
Philadelphia's Nine of Swords put out one of the year's best punk records with BEYOND THE SWORDS. Today they premiering a full-length visualizer for the album, directed by Shannon Brooks, founding member of Hook&Loop, a Philadelphia-based accessible artist collective and network led by Disabled and Chronically Ill people.
"Deep End Dive" is the first single from the Cincinnati based singer-songwriter, with a charismatic summertime video as well. This single is a precursor to her upcoming debut full length Goose, produced by Sima Cunningham. She sounds resigned, but there is a dark thrill in her voice, she's quietly excited for what's coming next.
It is everything you could want a Viagra Boys album to sound like. The thing about Cave World is that it probably won’t convince anyone to change their beliefs, but it’s not trying to. What it does do is point out how absurd some of these things are. It does this perfectly and on top of that it lets the listener have a great time while it does this.
Snakeskin is set to return with a new full length, Summoning Salt, and while details are hazy, the lead single “Spinning Heart” and its accompanying video are immaculate. From the ominous start to the lush acoustics and slow grooving rhythm, Snakeskin sets up a sweeping landscape of natural tones, tangled, and accented in atmosphere.
For Frances Chang, psychedelia can be found in the crosshairs of art rock, freak folk, bedroom punk, and more in a soupy mess of modified consciousness. On her first full-length under her own name, support your local nihilist, all those influences coagulate into an unapologetically honest and intense expression of her irreplicable vantage point.
Seven years after the release of Geronimo!’s final EP, the trio of Ben Grigg, Kelly Johnson, and Matt Schwerin have come together once again, with a new project, Big Big Bison. The trio finds Schwerin once again on drums, while Johnson has moved to bass, and Grigg to guitar and vocals. Instrumental changes aside, the chemistry remains.
Los Angeles based singer-songwriter Dominique Matelson has just released her new record The Instruction Manual. Post-Trash caught up with her to discuss her relationship with her voice, the circumstances surrounding the creation of her new album, what compels her to make art, reinventing yourself during a pandemic, and more.
The Unscratchable Itch is a cavalcade of character studies and personal exhortations, shouted and yelped over a constant stampede. The noise and fury never relent but the hooks find their way in, and there’s room to interpret the scorn and disdain in Sniffany’s world. The band sat down to offer a track-by-track insight into the album, breaking down themes and lyrical inspirations.
Anarcho-punk outfit Bad Breeding are back with their fourth full-length release, Human Capital, through One Little Independent Records and Iron Lung Records. The album is chalked with aggressive layers of sound wrapped up in lyrics that address societal problems which have been ushered in through years of suffering under capitalism.
Fime’s Sweeter Memory is a rock album in the way rock albums rarely get made anymore, one that revels in its influences without succumbing to them. The album subsumes the band’s influences – power pop, country, psychedelia, surf rock, emo, and punk – and then produces good songs which sound uniquely themselves.
There are times in Taciturn’s “Wretch” where it seems like the intensity might be letting up–the screaming tremolo guitars might be leveling off, the bass throb might be bringing it back down to earth–but each time, the Phoenix and LA-based noise punk trio only let the distortion ripple out for a brief moment before charging forward again.
