Blacklisters strike the perfect level of sardonic humor and cultural disgust, so interwoven it’s hard to tell exactly where one ends and the other begins. Sludge and bludgeoning density are paired with acidic noise and a stumbling resolve that feels like a reprieve from polite society or a scourge on meatheads worldwide.
Brunswick, Australia’s Hooper Crescent are relying on a formula with their second album, Essential Tremors. While the quintet could have returned to the guitar heavy tangled post-punk of their debut, they’ve opted to push into new territories, exploring a different set of sounds while keeping their established framework in tact.
Soul To Burn, is a wild ride of high voltage rock ‘n’ roll grooves and swaggering hooks, but it’s also inherently complex, the sound in a constant state of contortion. These songs are accessible from first glance (“Rhodia” is a smash hit), with dissonant vibrations and riotous rhythmic shifts bending to create something casually digestible.
Blotted and vibrant are the bruises that we acquire in the midst of growing up. In the midst of those challenges is nineteen year old Perth singer/songwriter Mia June and her debut EP, Don’t Forget Your Bags. Out on Father/Daughter Records, we find her with a collection of songs that feel both fresh and exhilaratingly spirited.
Wurld Series filter influences including Guided by Voices, Jim O’Rourke, and Robert Wyatt through a DIY lens that’s uniquely their own, balancing Luke Towart’s sturdy songcraft with pensive, pastoral experimentation. Post-Trash caught up with Towart recently to discuss these and other influences on their sound, and to talk The Giants Lawn.
There is a new softness in Rob Grote’s music as Super Infinity, with his seven song release Palace. The songs hover between playfulness and childlike awe: jangling reverb, words that tumble and river over themselves, and layered head voice. Grote said he wrote these songs “as a reprieve from recordings that were taking much more labor.”
In Hindsight, the full length debut from St. Louis’ Algae Dust is out this Friday, December 1st, just in time to bring some warmth to the oncoming chill. Following a split with Hennen back in 2021 that mostly featured Alison Setili playing solo, their Sad Cactus Records debut moves away from the gentle sound of bedroom pop.
Cartwheel is much more pop inclined than prior releases with its vivid, gleaming instrumentation and tones. This navigates away from the scuzzy punk energy that has defined Hotline TNT to date, but overall, the structure of the new songs hasn’t changed that profusely. They still follow a similar formula but it’s expressed differently.
Big Mess come roaring back to life on Heroic Captains of Industry, a new full length album due out on January 1st. The album, initially recorded in 2018 saw some delays as life and pandemics took the focus away from the band, is pure Big Mess, colossally heavy with nuanced writing that see-saws and tugs in opposing directions at will.
Slow Pulp introduce deeply sentimental themes of personal reflection and a new sound on their most recent album, Yard. The album is a further evolution of their sound as it brings together synth sounds from prior releases while continuing to lean towards more acoustics, which suits the nostalgic energy of the album’s entirety.
With I Killed Your Dog, L’Rain are clearly seeking to further push the envelope, with an even broader theatrical scope, spine-chilling lyrics, and absolutely mesmerizing musicality and production. What makes it so special in the landscape of 2023 is that it implements hallmarks from the late 80’s and 90’s all the way up to our current moment.
Over its 41 minutes, Exit Simulation is an insistent listen, pervading and reverberating the walls of whatever space it can attain. The album is brilliantly paced to function as a transitory performance that assumes the song itself is only a part of a larger tapestry, requesting the full respect of its space to unfurl.
Sprite are a new band comprised of some familiar faces, the quartet formed by Sam Brown (Flesh Panthers) together with Josh Rodin (Cel Ray), Kinsey Ring (Lollygagger), and Donny Walsh (Wallplant, ex-Stuck). Inspired by the fuzz and syrupy melodies of bands like Ovlov and Hotline TNT, Brown decided to pick up a guitar and give songwriting a shot.
With her new EP, Celestial Mirror, Chicago’s own soothing heartbreaker, Mia Joy, makes her way back into our fragile hearts and our busted carousels of self-actualization. Recorded directly to tape and mostly in one take, Celestial Mirror is a homey flavor of dream pop and vocal sensations that portrays a welcoming pair of open arms.
The Giant’s Lawn is something spectacular, a record with a natural feeling of awe, like the sun shinning from deep within in the forest woods. Their third album is ambitious, but it never feels like they set out with ambitious intentions, the songs are following a path, treading space and time with a steady atmosphere of wondrous permanence.
