On Radiator Hospital's newest offering, Sings ‘Music For Daydreaming’ Cook-Parrot has gone back to his original bedroom-esque singer-songwriter roots. Everything on this release was written and performed by him, as lo-fi qualities of earlier Radiator Hospital releases have been replaced with a polished, hi-fi sensibility.
After an extended period away from the podcast, Nick and Dan return to chat about new music from Pile, She Keeps Bees, Squid, Blessed, Ausmuteants, PAX and a pair of selections from the recently released Post-Trash Vol. 4 charity compilation. A bit rusty and delightfully unfocused, this one is about the music, as its always meant to be.
The band are heading out on a West Coast tour in May and in celebration will release …Trample The Cross Underfoot…, another tour tape consisting of four new songs and a pair of demos. In true Exhalants fashion, it’s another essential recording from out their practice shed, low in fidelity but absolutely rattling in tone and overt fury.
“Cold,” the single’s A-Side is a procession of textures both gentle and raw, from the warm picked intro into the deep plodding bass line. Stafford and Emily Hafner offer a gorgeous harmony, their voices a perfect pairing to sink into hazy emotional atmosphere, punctuating the pull of gravity as they sing.
The name The World Is A Mess sounds like an acknowledgement of defeat, a relaxation into political misery, a weary resignation familiar to any American in 2019 -- but the opening moments of the new Future Punx EP (and indeed the general attitudes of each of the six tracks) suggest quite the opposite vibe.
Second single “Creative Industries” is a dizzying blast of stampeding rhythms, that glorious noise rock bass tone, and swarming guitars that threaten to swallow everything whole. Everything rattles together in an unholy union, building a wall of impenetrable immersion, the unhinged eye of the storm.
Set to release Trope House, their full length debut on May 31st via Wharf Cat Records, the band are using the extended running time to dig deeper and stretch further than every before into territories both strange and dare I say… accessible. If variety is the spice of life, than Trope House is one spicy album.
When one door slams shut, another creaks ominously open. Such is the case with Easthampton’s Editrix, New England guitarist Wendy Eisenberg’s post-Birthing Hips continuation of spellbinding guitar and tongue-in-cheek take-downs. The four tracks on debut Talk To Me serve as a thrilling introduction to this special new band.
