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Patio - "Essentials" | Album Review

Patio - "Essentials" | Album Review

Essentials is the first full length record from New York trio Patio and it follows the dark, brittle and fairly brilliant yet somewhat hesitant EP Luxury that was released in 2016. Patio tread in the ever-deep waters of post-punk and Northeast DIY scene and quite frankly stand out at near the top of that pack of bands which is quite an achievement.

Writer's Workshop: Wayne Kramer of the MC5 (and the MC50) | Feature Interview

Writer's Workshop: Wayne Kramer of the MC5 (and the MC50) | Feature Interview

Asked if he minded discussing some of the gory details of his career and his new autobiography, The Hard Stuff: Dope, Crime, the MC5, and My Life of Impossibilities, such as a long and tumultuous struggle with addiction, snafus with the law, and the ups and downs (mostly ups) of getting sober, Wayne Kramer laughed off the question as if it was absurd.

Beige Palace - "Leg" | Album Review

Beige Palace - "Leg" | Album Review

Their new album Leg is an irreverent kaleidoscope of noise rock, post-hardcore, musique concrete, spoken word, chamber music, and general auditory mayhem. The thing about this record is how its tone can change on the head of a dime, despite the songwriting heavily using repetition and slow development of ideas.

Blessed - "Salt" LP | Post-Trash Premiere

Blessed - "Salt" LP | Post-Trash Premiere

After a flurry of exceptional introductory releases comes Salt, the band’s meticulous full length debut, an album with enough jaw-dropping moments you might as well just leave your damn mouth open. Blending together fractured shards of garage punk, krautrock, post-hardcore, and experimental no-wave, Blessed’s sound is laser-beam focused and expanded further in every direction on their first attempt at album length exploration.

This Is Lorelei - "The Mall, The Country" + "The Dirt, The Dancing" | Album Reviews

This Is Lorelei - "The Mall, The Country" + "The Dirt, The Dancing" | Album Reviews

The Mall, The Country and The Dirt, The Dancing are transcendent, alive, breathing. The double EP swells in ambient solemnity and contracts in melodic elegance, as pieces of coherent pop brilliance are encased between swirling panoramic experiments, highlighting Amos’ acute sense of sequencing and pacing.