Jess Ledbetter - "Sentimental" | Post-Trash Premiere
Greg Electric - "Greg Electric" EP | Post-Trash Premiere
Clearance - "Had A Fantastic" | Post-Trash Premiere
Lithics - "Mating Surfaces" | Album Review
Wimps - "Giant Brain" | Post-Trash Premiere
Jo Passed - "Their Prime" | Album Review
Wyoming - "Why Oh Wyoming" | Album Review
This young group has an eye for interesting tempos and a handle on time signatures that fill this shorter release with a depth of capable songs. As if the release was made of shredded textiles, patch-worked into a comfortable blanket - clean in some parts, and stained in others, but nonetheless, a whole.
Mr. Husband - "Living In Dreams" | Post-Trash Premiere
The Sediment Club - "Stucco Thieves" | Album Review
The Circle of Punk: A Chat with Red Hare's Jason Farrell | Feature Interview
Ferrell speaks much as he sings -- at a considered but somewhat irregular rapid morse code-like pace. When accompanied by music, his voice is infused with a palpable sneer, somewhere between Kathleen Hanna and James Hetfield when he gets really sassy. In conversation though, he is earnest and focused.
Kerem Atalay - "Summer 1" | Post-Trash Premiere
Fuzzy Meadows: The Week's Best New Music (April 30th - May 20th)
The Armed - "Only Love" | Album Review
ONLY LOVE is aggressive and violent, but it is also atmospheric, authentic, and tender. Recorded and produced by Converge's Kurt Ballou and with drum performances by Ben Koller, the collective of musicians, performers, and visual artists that make up The Armed have managed to make a dense album drawing from influences across the punk-rock spectrum.
