Brooklyn punk band THICK are the sonic equivalent of a jubilant rocket hurtling through space, and they want to bring everyone along for the ride. Their energy has always been part of their effortless cool, and the amount of fun they are able to translate from the stage to the recording booth is something all bands aspire to do.
The Cradle decided to go home again on his new album, The Glare of Success, but he’s not interested in rediscovering some missing creative magic. No – he’s not here to move back in – he’s here to deconstruct the house, strip it of its parts, and create an entirely new home from its component pieces.
Part of the appeal of the retro-aesthetics on Modern Meta Physic is that they’re employed as a tool but not as a crutch. It’s not an attempted ‘revival’ of a genre, it’s not a ‘throwback’ sound, it’s just a well-informed, self-aware album, full of well-written songs, and very specific reference-points.
Greer's voice has a complex chromaticity that takes shape in an exceptional way, communicating exactly the sense of uneasiness and political and social instability at the heart of the title of the work. Priests is the missing and "screaming" link in a scene that also needs showy and strong bands, at least in their choices, to assert themselves.
Essentials is the first full length record from New York trio Patio and it follows the dark, brittle and fairly brilliant yet somewhat hesitant EP Luxury that was released in 2016. Patio tread in the ever-deep waters of post-punk and Northeast DIY scene and quite frankly stand out at near the top of that pack of bands which is quite an achievement.
Their new album Leg is an irreverent kaleidoscope of noise rock, post-hardcore, musique concrete, spoken word, chamber music, and general auditory mayhem. The thing about this record is how its tone can change on the head of a dime, despite the songwriting heavily using repetition and slow development of ideas.
The Mall, The Country and The Dirt, The Dancing are transcendent, alive, breathing. The double EP swells in ambient solemnity and contracts in melodic elegance, as pieces of coherent pop brilliance are encased between swirling panoramic experiments, highlighting Amos’ acute sense of sequencing and pacing.
