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Tetchy - "Quitter" | Post-Trash Premiere

Tetchy - "Quitter" | Post-Trash Premiere

Brooklyn’s Tetchy are carrying their own combustible energy on “Quitter,” the band’s second single and the first to come from their upcoming debut EP, Hounds. The record follows months spent playing live throughout Brooklyn, and their energy is ever apparent on “Quitter,” a perfect introduction to their creeping and blistering grunge inspired sound.

Operator Music Band - "Duo Duo: The Remixes" LP | Post-Trash Premiere

Operator Music Band - "Duo Duo: The Remixes" LP | Post-Trash Premiere

Back in September the world was graced with Operator Music Band’s full length debut album, Duo Duo. Now the band have reinvented the album on Duo Duo: The Remixes, brought to life by peers such as Guerilla Toss, TMBOY, Zenizen, Smhoak Mosheein, and more.

The Cradle - "Press B Now" | Post-Trash Premiere

The Cradle - "Press B Now" | Post-Trash Premiere

Flexing his experimental inclinations, The Cradle will release new album, Sense Stats, on January 30th, an album seemingly constructed on dissonant loops, waves of thumb piano, compressed electronics, and hypnotic avant-garde compositions. Everything feels manipulated, bent, and reshaped with alien aplomb.

YlangYlang - "Our Provisional" | Post-Trash Premiere

YlangYlang - "Our Provisional" | Post-Trash Premiere

The experimental Montreal based solo project of Catherine Debard is set to release their latest album, Interplay, on January 31st via Crash Symbols, a gorgeous and serene look into the self by way of the outside world. By using elements of jazz, new age, psych, and ethereal pop music, Debard is album to create something that feels beamed down from another plain on existence.

Light Beams - "Sacred Scales" | Post-Trash Premiere

Light Beams - "Sacred Scales" | Post-Trash Premiere

After releasing a self-titled EP, the trio are set to share their full length debut, Self Help, out January 31st on Don Giovanni Records. The album feels like a breath of fresh air, a reinvigorating listen after heaps of stale indie rock. “Sacred Scales” begins with a somber piano lead, a red herring that evaporates once the groove slinks its way in.

bcc: - "Once Was Lost" | Post-Trash Premiere

bcc: - "Once Was Lost" | Post-Trash Premiere

Following the demise of Brooklyn’s Doubting Thomas Cruise Control, vocalist/guitarist Bobby Cardos wasted little time before embarking on a new project. Out came bcc: (who you may remember from our podcast) and now the band are set to release their ambitious debut, A New Theory of Nothing and A New Theory of Nowhere, on 2/22.

Green and Glass - "Gabriel" | Post-Trash Premiere

Green and Glass - "Gabriel" | Post-Trash Premiere

With their album due out on February 14th via 11A Records, Green and Glass occupy a dazzling and unique space between orchestral beauty, studied precision, and evocative pop exploration. “Gabriel” is a fantastic example, opening with a serene harp progression that lends itself gorgeously to Stavros’ gentle vocals.

Moss Jaw - "Dry Remains" Video | Post-Trash Premiere

Moss Jaw - "Dry Remains" Video | Post-Trash Premiere

Closing out 2019 with a premiere of their “Dry Remains” video, the album closer’s animated clip comes courtesy of Documavision, AKA Cloakroom’s Bobby Markos. With animated scenery and a constantly shifting atmosphere, the images fade in and out like a powerpoint slide with the most vivid collage beauty.

Wisebuck - "I Can't Change" | Post-Trash Premiere

Wisebuck - "I Can't Change" | Post-Trash Premiere

Wisebuck, the latest project from Casey Weissbuch, feels like a fresh start, a new focused use of his energy. The band, comprised of Weissbuch, Matt Kursmark, Mike Sarason, Dylan Debiase, and Jon Degen, are set to release their debut album, Flyworld, on January 17th, a breezy “college-rock” and fuzzy pop record.

Alien Nosejob - "Television Sets" | Post-Trash Premiere

Alien Nosejob - "Television Sets" | Post-Trash Premiere

With two EPs bookending 2019, Alien Nosejob is set to release a new full length in 2020 and thankfully the wait is nearly over as Suddenly Everything Is Louder is due January 17th via Anti Fade / Drunken Sailor Records. If each unique and increasingly realized release has been leading up this, we’ve arrived at essential Alien Nosejob.

Wednesday - "Billboard" Video | Post-Trash Premiere

Wednesday - "Billboard" Video | Post-Trash Premiere

The Asheville, NC band are making introspective rock songs rooted in dissonance, caterwauling guitars, and ragged pedal steel. Their three guitar approach is big and blistering, but their music retains a gentle quality, one in touch with Karly Hartzman’s (guitar/vocals) thoughts and surroundings. It’s dreary pop music that isn’t afraid to get messy

Ghost Funk Orchestra - "Queen Bee" (Live at National Sawdust) | Post-Trash Premiere

Ghost Funk Orchestra - "Queen Bee" (Live at National Sawdust) | Post-Trash Premiere

After a string of exceptional shows ranging from support for A Giant Dog to the Emerging Music Festival in Bryant Park, the collective co-headlined National Sawdust, a carefully curated and ultra-artistic space that looks as dazzling as Ghost Funk Orchestra sound. The band made the most of the occasion, playing their first show as a fourteen piece band, complete with an extended string section for the evening.

Quiet Moves - "We'll Understand When We're Older" EP | Post-Trash Premiere

Quiet Moves - "We'll Understand When We're Older" EP | Post-Trash Premiere

Quiet Moves makes their introduction plenty clear on their debut EP We’ll Understand When We’re Older. It’s emo revival that's aged a little bit. The pop comes through clearly throughout the entire EP. Certain guitar lines or vocal inflections will crawl their way into your subconscious. Take a listen and decide for yourself.