"Lord of Garbage" welcomes you to "a world of filth, a world where dirty children run wild" before The Mad Doctors dive into a tornado riff and tight interlocked rhythms like the soundtrack to a brutal shark attack
the song’s tension builds starting with heavy drums and a deep bass tone before a guitar solo erupts like Mount Vesuvius giving Spence permission to really let it rip with an impassioned vocal performance.
The music video for “Breathing Thaw”- the closing track on Tim Woulfe’s latest EP The Thaw- was shot at Land’s End Park in San Francisco, taking advantage of the shore flooded with foam.
The quartet teamed up with local film collective, Good Day RVA, for a performance in Swannanoa Palace, a massive Italian Renaissance Villa built in 1912 in Virginia's Shenandoah Valley. The room... well, it ain't too shabby.
Originally recorded solo on the Fall Becomes Winter EP, "Half Step Back" is given new life as a full-band arrangement, a song as immediate as they come and inescapably endearing.
Just as the song comes together, so it comes apart, embracing devolution and collapsing at a whim, bending chords into oblivion and shifting rhythms without warning... and then right back together again.
The trio of Jazz Adam, Nina Ryser (Palberta) and Ricardo Balmaseda, play with the deconstructed, disoriented, and unpredictable nature of perception, contorting reality to its strangest form.
The band have come a long way since the release of Cherry Blossom, dipping their mopey sound into disorienting shoegaze and unwieldy slacker punk, creating a new record that is brilliantly weird and gloriously detached.
Pasko's music may stem from loss, but the sound is reminiscent to watching a flower bloom (rather than decay) after a harsh winter. This is merely the beginning of the next chapter.
It all gives off a feeling of hearing something from a distance. Disconcerting the listener while at the same time driving them to want to hear more, to strive to find the source.
Drastic times call for drastic measures, a sentiment that can be felt throughout the new record as the trio dial back the artier aspects of their sound while embracing the agitated and reckless elements.
Their vintage Southern-rock twang sung over loud electric guitars is a throwback to 1970s rock days, with guitar riffs aplenty, layered vocals, and a touch of pedal steel.
“Kids” sets itself apart from the average twee pop song off the bat. Its drums, bass and tambourine can writhe together in an unholy communion that evokes the slow-motion groove of a car dashboard dog’s effortless nod and the hazy trance of Madchester.
Veiny Hand's debut is packed with both adrenaline and sluggish crashes, a scuzzy trip down the rabbithole. We're excited to share the premiere of their record ahead of the band's tour dates with La Luz.
Rhode Island quartet Edgar Clinks often blend odd song structures with distinctive affability, and the video for “Algal Bloom,” off of their most recent full length reinforces this idea with gusto.
The Boston based duo combines two of the city's finest DIY-minded musicians, Jesse Weiss (Palehound, Grass Is Green, Spook The Herd) and Jack Pombriant (We Can All Be Sorry), a pairing as natural as milk and cereal.
Footings are back and headed out on the road in support of their upcoming Spring Tape EP, a collection of new songs and one very gorgeous Fugazi cover.
